思猫症

简介：　　这是一部颠覆黄飞鸿传统形象的喜剧电影。话说黄飞鸿（谭咏麟 饰）从父亲那里继承了宝芝林的当家，成了一众徒弟的师傅。少年黄飞鸿其实不学无术，只会装装样子，混混日子。徒弟梁宽、牙擦苏等都十分着急，逼着他学武功。飞鸿对此却不以为然，总是得过且过。直到有一天，恶人石坚（梁家辉 饰）出现了。石坚不仅自己偷运鸦片，还利用十三姨（毛舜筠 饰）作人质逼飞鸿同流合污……

简介：若即若离的感情线，一个在防守，一个在等待。小米与小南是大学时候的同学。每年小米的生日，小南都会送上祝福，唱一首五音不全的歌给小米听。彼此相知相爱，可是小米因为童年的阴影始终无法正面她与小南之间的感情。小米后来出国留学了，两人分隔两地但心里还是时时牵挂彼此。历年的生日，小米仍记得小南的祝福。仿佛各自又有了不一样的生活，可是当年的记忆还在。最后小南告诉小米自己就要踏上婚姻的道路，小米伤心欲绝，要强的她此刻才剖白心声。就算他们仍然彼此相爱，可一切都已经无法回头……

简介：　　本片主要讲述了一支五人特别行动小组在执行一次特殊任务时，上级下达命令要活捉犯罪集团二号人物。任务行动中突发意外，犯罪分子挟持了一名儿童人质，队长老A为拯救人质，失手将犯罪集团二号人物击毙，导致任务失败，特别行动小组随即被遣散。老A因在社会上打抱不平，失手伤人而入狱，出狱后，老A无法面对受伤的小女孩人质，与其余四名前特别行动小组组员商量秘密挖出犯罪集团幕后主使，而此时早已兄弟异心，当场不欢而散。事后，五人均遭遇了犯罪集团的寻仇，至此使五人重聚，并下定决心追查到底。根据犯罪集团暴露的线索，几经周折，最终得知犯罪集团的老巢窝点，一场恶战过后，五人全部被擒。危机关头，早已掌握犯罪集团动向的警方及时出现，最终将这个国际拐卖儿童犯罪集团绳之于法。

简介：

　　《忍无可忍》以女性应勇敢抗争为主题，片中有不少暴力镜头。
　　六年前，在餐馆打工的Slim（詹妮弗·洛佩兹 Jennifer Lopez 饰）被客人纠缠，幸得Mitch（比利·坎尔贝 Bill Campbell 饰）挺身而出，很快两人坠入爱河并结了婚。6年过去了，他们有了女儿Gracie，一家人过着平静富足的生活。但偶然，Slim发现Mitch和其他女人有染而发生了争吵被Mitch打伤，从此恶梦般的生活开始了。Mitch有严重暴力倾向，他的变本加厉彻底毁灭了Slim原本打算忍辱偷生的念头，不堪忍受痛苦的她带着女儿逃离了这个家。她们辗转于西亚图、旧金山等多个城市，却仍无法摆脱Slim幽灵一般的纠缠。Slim终于被逼到崩溃的边缘，她决定用最极端的方法来结束自己和女儿的恶梦——杀死Mitch......

简介：　　A sequel to “Vyšehrad: Fylm"(2022). Lavi’s long-awaited foreign engagement in the Vyšehrad sequel ends in fiasco when his flight to England fails; he unexpectedly lands at the rural FK Smrkov, where a series of surprises, including a revelation discovered during an unplanned stop at an outhouse, await him.

简介：

　　谢安真（隋棠 饰），离婚四年，单身四年，身兼职业OL与家庭主妇两种身分的她，将生活中的一切都打理得井然有序。女儿眼中的好妈妈、同事眼中的好上司、朋友眼中的好姐妹，但，她又会是谁的“好情人”呢？ 虽然对爱情仍然有些渴望，安真总用自己的生活很充实、很满足、很幸福来当藉口，因此，她与天蔚（宥胜 饰）还是一直维持着“好朋友”的关系。但，连安真自己也没发现，她只是没有勇气，没有勇气再次投入一段“甜蜜却随时可能破碎的爱情” 。在安真苦恼于是否该接受天蔚的感情时，前夫瑞凡（温升豪 饰）却在此时出现，再次对她展开追求。 在“亲情”与“爱情”、“安心”与“开心”、“习惯”与“改变”之间，安真是否能够把握当下的幸福，勇敢走向能让她发自内心微笑的那个人呢？ 幸福，真有么困难吗？

简介：美军阿拉巴马号核子潜水艇再次出航任务时却意外进入时光隧道，只有狄更斯舰长一人生还，虽然X与大众怀疑他的说词，但是蓝斯博士却肯定这可能性，并请他担任时光之旅的潜水艇指挥官，与漂亮能干的马杰丽女博士，重闯神秘百慕达三角洲。他们终于在同一地点再次进入2077年的未来世界，遇到正阴谋引发世界核子大战以达到控制全世界野心的恶魔布莱德克。幸好狄更斯在2077年的后代约翰是抗暴领袖，在一番暴力抗争后终于协助他们逃回潜艇！为了挽救未来世界，他们必须安全返抵美国，改变罪恶的人类历史命运。

简介：

　　Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.
　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)
　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.
　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).
　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

简介：

　　简介：石惊天是一位擅长办理离婚案的风流律师，喜欢与有夫之妇鬼混。老友黄律师之婚礼，令石突然萌置家之念。遂托物色对象，欲将朱带金改造成他理想的太太。一天，石的堂弟石头从外地回来，诉说未婚妻移情别恋，石大骂石头有辱家风，于是授计助其追女仔。原来石头想要追求的正是朱。石知道后，马上带朱到西班牙渡假，奈何石头苦苦追踪而至……

简介：　　Since 2014, in France, Restorative Justice has offered victims and perpetrators of offences the opportunity to dialogue through secure systems, supervised by professionals and volunteers such as Judith, Fanny or Michel. Nassim, Issa, and Thomas, sentenced for theft with violence, Gregoire, Nawelle and Sabine, victims of home jacking, robbery and purse snatching. Also Chloe, victim of incestuous rape, all engage in measures of Restorative Justice. On their journey, there is anger and hope, silence and words, alliances and heartbreaks, awareness and regained confidence. And at the end of the road, sometimes, reparation.

简介：　　一个疯疯癫癫、怪异离奇的金·凯瑞——1999年，他在《月亮上的男人》饰演了自己的偶像、喜剧大师安迪·考夫曼，而拍摄该片的一些幕后视频(很多是考夫曼的前女友Lynne Margulies拍的)如今才由这部纪录片曝光，原来环球一度不想让视频浮出水面，金凯瑞说，是因为“我看起来像个大混蛋”——他出演该片时深深地进入了“方法派”领域，即使下了戏，他也处于考夫曼疯狂的状态中。而他心中到底怎么想，还能找到“我是谁”吗？

简介：

　　在遥远的松饼山上，有一个胡谷镇，镇民们最爱的圣诞节眼看就要到了，镇上张灯结彩，喜气洋洋，每个人都沉浸在筹备圣诞节的快乐中。然而，在胡谷镇以北的一个垃圾山上，住着一个人人都害怕的“怪物”——格林奇（金·凯瑞 Jim Carrey 饰）。他深居简出，只跟一条狗过活；他心胸狭窄，心脏只有正常人的四分之一大；他讨厌胡谷镇，更讨厌圣诞节。经常捉弄镇民的他，在一次大闹胡谷镇中，认识了小女孩辛蒂（泰勒·摩森 Taylor Momsen 饰）。
　　今年的圣诞节正好是胡谷镇建镇一千年纪念，家家户户都在准备迎接这场圣诞盛宴。辛蒂邀请格林奇到镇上参加派对，但是一个误会使格林奇愤怒离开。他决定要报复镇民，在圣诞节那天，他带上他的狗麦克斯，乔装成圣诞老人和驯鹿的样子，悄悄地潜入胡谷镇……