71
5.0

恐怖买家

导演:
达伦·林恩·鲍斯曼
主演:
劳伦·拉维拉,Neal McDonough,Alicia Witt,Djimon Hounsou,吉娜·菲利普斯,David Call,Michael Lombardi
别名:
未知
5.0
71人评分
英语
语言
未知
上映时间
93
片长
简介:
  以下两位千禧一代将他们不拥有的纽约公寓卖给了不知道自己被骗的新买家。这个骗子干得很出色,直到他们遇到了一个公寓老板,他有一个黑暗的秘密,把这个游戏玩弄在他们身上。
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更新时间:03月17日
主演:马克·沃尔伯格,罗丝·伯恩,伊莎贝拉·莫奈,古斯塔夫·奇洛兹,朱莉安娜·甘米兹,奥克塔维亚·斯宾瑟,泰格·诺塔洛,汤姆·赛格拉,艾琳·瑞秋,布瑞特·伦茨勒,玛格·马丁戴尔,朱丽·哈基提,迈克尔·奥吉弗,琼·库萨克,加里·维克斯,乔伊·雅各布森,安德利娅·安德斯,肯尼斯·以色列,兰德尔·P·海文斯,埃莱扎·施莱辛格,哈维尔·朗塞罗斯,伊芙·哈洛,约瑟琳·雷耶斯,约翰·麦康奈尔,查利·麦克德莫特,埃里卡 ·比尔曼,卡尔森·霍尔姆斯,维勒特·罗德里格斯,艾米丽塔·T·冈萨雷斯,帕蒂·舍尔哈斯,本杰明·韦弗,玛丽
简介:

  皮特(马克·沃尔伯格 Mark Wahlberg 饰)和爱丽(萝丝·拜恩 Rose Byrne 饰)结婚多年,夫妻两人之间的感情一直十分要好,只是这么多年来,他们都没有孩子,不过对于两人来说,这并不是什么着急的事情。一场意外让两夫妻的观念开始产生了改变,他们开始渴望一个爱情的结晶,年纪已经不再年轻的他们选择了走了领养这条路。
  一个名为利兹(伊莎贝拉·莫奈 Isabela Moner 饰)的小姑娘吸引了皮特和爱丽的注意,虽然利兹的个性尖锐而又叛逆,但他们还是在她的身上看到了动人的闪光点。利兹还有一个弟弟胡安(古斯塔夫·奇洛兹 Gustavo Quiroz 饰)和一个妹妹丽塔(朱莉安娜·甘米兹 Julianna Gamiz 饰),夫妻两人一不做二不休的也顺带收养了这两个孩子。

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主演:马克·沃尔伯格,罗丝·伯恩,伊莎贝拉·莫奈,古斯塔夫·奇洛兹,朱莉安娜·甘米兹,奥克塔维亚·斯宾瑟,泰格·诺塔洛,汤姆·赛格拉,艾琳·瑞秋,布瑞特·伦茨勒,玛格·马丁戴尔,朱丽·哈基提,迈克尔·奥吉弗,琼·库萨克,加里·维克斯,乔伊·雅各布森,安德利娅·安德斯,肯尼斯·以色列,兰德尔·P·海文斯,埃莱扎·施莱辛格,哈维尔·朗塞罗斯,伊芙·哈洛,约瑟琳·雷耶斯,约翰·麦康奈尔,查利·麦克德莫特,埃里卡 ·比尔曼,卡尔森·霍尔姆斯,维勒特·罗德里格斯,艾米丽塔·T·冈萨雷斯,帕蒂·舍尔哈斯,本杰明·韦弗,玛丽
盲目的丈夫们
49
5.0
HD中字
盲目的丈夫们
5.0
更新时间:2026年01月22日
主演:萨姆·德·格拉斯,Francelia Billington,埃里克·冯·施特罗海姆,Fay Holderness,Richard Cumming
简介:

  Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

4275
1919
盲目的丈夫们
主演:萨姆·德·格拉斯,Francelia Billington,埃里克·冯·施特罗海姆,Fay Holderness,Richard Cumming
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