我们曾经是战士

　　清朝末年，欧洲足球队海盗队来华时和驻华外国使馆联队进行了一场比赛。比赛引来了大批民众和朝廷官员观看，海盗队获胜后，队长哈里为博取女友詹尼一笑，竟然用力将球踢向围观的群众和朝廷官员。就在一众外国人哈哈大笑之时，人群中窜出一名大汉，他叫周天（张丰毅 饰），他以高强的球技回敬了哈里。詹尼见此教唆哈里向中方挑战，于是一场中外足球赛大战在即。原来周天是一位曾留学牛津大学并曾担任清朝翰林院编修的进步青年，他深知中、外足球水平的据，单凭一己之力很难为中国人出一口气。于是，周天踏上了访寻民间球侠、为国增光的道路。

　　皮特（马克·沃尔伯格 Mark Wahlberg 饰）和爱丽（萝丝·拜恩 Rose Byrne 饰）结婚多年，夫妻两人之间的感情一直十分要好，只是这么多年来，他们都没有孩子，不过对于两人来说，这并不是什么着急的事情。一场意外让两夫妻的观念开始产生了改变，他们开始渴望一个爱情的结晶，年纪已经不再年轻的他们选择了走了领养这条路。
　　一个名为利兹（伊莎贝拉·莫奈 Isabela Moner 饰）的小姑娘吸引了皮特和爱丽的注意，虽然利兹的个性尖锐而又叛逆，但他们还是在她的身上看到了动人的闪光点。利兹还有一个弟弟胡安（古斯塔夫·奇洛兹 Gustavo Quiroz 饰）和一个妹妹丽塔（朱莉安娜·甘米兹 Julianna Gamiz 饰），夫妻两人一不做二不休的也顺带收养了这两个孩子。

任家华是一位身手了得的大盗，和女友安里应外合，劫持了押款车，获得了巨额赃款。探员李铁坚负责追查此事，并且最终将怀疑的目标锁定在了任家华和安的身上，然而却并没有确凿的证据可以指控两人。李铁坚关押了任家华和安，然而，他只有四十八小时的时间，如果在此期限之内两人没能够认罪，那么他们将彻底逃脱法网。为了得到证词，李铁坚决心严刑逼供，然而这一招对于身经百战的任家华和安却并没有什么用，任家华甚至反咬一口，控告李铁坚暴力执法。最终，警员们决定联起手来，凭借着他们的智慧将两人绳之于法。

　　Un homme politique convaincu qu'il a un destin.

　　芥子（余男 饰）与丈夫钟桥北（南宫珉 饰）是一对年轻的成功人士，某夜家中发生抢劫，身为丈夫的钟桥北没能保护妻子，从此平静的生活被打破。

　　This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.
　　comments from imdb:
　　This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.
　　This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.
　　The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.
　　I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.
　　15 out of 10 and then some. 10/10
　　Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.
　　And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.
　　The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".
　　Intelligent, emotional, tragic and real, this is an absolute gem. 9/10