三条友饮醉走

　　Diego is 17 and is full of life, yet fragile. His best friend Antonio knows and indulges his weaknesses, but he would also like to see him strong and masculine. One night they meet Maria, a breezy natural beauty. To show that he is a "real man", Diego, is ready to do anything, even to force himself to do things he would never have wanted to do. Written by The Open Reel

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

　　第70届威尼斯电影节(2013)地平线单元最佳导演奖获奖作品，乌贝托·帕索里尼导演。约翰是一个普通的社会服务员，他的工作是为孤单死去的逝者寻找相关亲人，而当他被告知即将被政府裁员后，他决定将最后一位死者的亲友全部找齐……

　　一段发生在青春校园的青涩爱情故事，当友情、爱情发生碰撞时，如何选择？初恋的味道是怎样的，生如夏花来慢慢告诉你。

　　周筱兰（陶红饰）在KTV工作，与男友阿ken（吴彦祖饰）感情甚浓。一天晚上，有一个年轻女仔找她，原来是Ken的前女友陈蕙贞。陈蕙贞向周筱兰大吐苦水，并想让周了解Ken的用情不专及恶劣行为。开始周筱兰对陈蕙贞的话还是半信半疑的，但后来出于同样是女性的考虑，周筱兰开始渐渐相信陈蕙贞的话，并且联合一起对付负心汉阿ken，令阿Ken处处碰壁。
　　阿Ken得到惩罚后，陈蕙贞向周筱兰说出了所有事情背后的真相。

　　四川偏远山区的女教师小璐（秦海璐饰），自出生起就生长在黄河边，单纯质朴。一天，正在给孩子们上课的小璐被校长叫出去迎接外宾。这支专程从香港来到这里为孩子们注射疫苗的医疗队，受到了村里的热情款待。而温文尔雅的年轻实习医生小东，更是给小璐留下了深刻印象，小璐芳心暗许。当医疗队完成任务返港时，小璐乘坐的客车意外翻倒，恰巧被医疗队救出。此时，小璐完全被细心体贴的小东打动了，认定小东就是自己的白马王子。可小东和小璐终归是生活在两个世界的人，而且小东也有了女友。然而小东突然被诊断出患了癌症。万念俱灰的小东断然与女友分手，随小璐来到了黄土高坡。小璐无微不至地照顾着小东，甘心陪他走过人生的最后日子。然而小璐等来的，却是一段还未开始便已结束的孤单爱情。

　　故事发生在第二次世界大战期间，法国被德军占领，纳粹主义在当地横行。莫里斯（巴蒂斯特·弗勒里埃尔 Batyste Fleurial 饰）和乔（多里安·勒·克利奇 Dorian Le Clech 饰）是一对生活在法国的犹太人兄弟，父亲靠经营一家理发店养活孩子们，虽然生活得很 辛苦，但是一家人之间的感情非常的亲密。
　　德军要求每一个犹太人在外衣上缝上黄色的六角星，与此同时，社会对犹太人的忍耐度也在急剧下降，兄弟两人因为他们的血统在学校遭到了同学们的排挤。眼看着势头不对，父亲决定让莫里斯和乔两人先行逃往自由区避难，自己随后就跟上，一家人在尼斯汇合。就这样，两个孩子踏上了逃往的旅途。

　　某座平凡小镇，彪悍恐武的警探约翰·伊利亚特（维尼·琼斯 Vinnie Jones 饰）和美丽善良的女儿海瑟（Emily Tennant 饰）生活在一起。某天一名酷酷的男孩来到海瑟的学校，他叫罗比·穆勒（杰克·克罗克 Jake Croker 饰），五年前曾和海瑟有过一面之缘，并且卷入了一场神秘恐怖的死亡时间。罗比似乎对海瑟颇有好感，但却因此惹恼追求这个女孩的格雷戈（Aren Buchholz 饰）。在一次争执中，五年前的恐怖一幕再度上演，格雷戈在没有任何人碰触他的情况下突然倒地，遭受重创。
　　不久后格雷戈伤愈出院，却死性不改，对罗比欲行不轨，最终在野外死于一场离奇的事故。约翰受命调查此案，种种疑点全部指向了神秘而阴森的罗比……

　　这是一部寓言般，反浪漫的公路电影，男青年瓦尔特是个裁缝，每天帮着母亲缝制衣服，可是他向往外面的世界，于是他乘着母亲不备将母亲锁进屋子并偷了母亲的钱物找了一个哥们驾车兜风，在路上遇见了来旅游的泰欣娜和其女友，他们四人结伴而行，沉默寡言的两个男人和随心所欲的两个女人产生许多 戏剧冲突，他们一起住店，一起听摇滚音乐会，折腾许久以后，瓦尔特决定回家，回家后他若无其事地坐回缝纫机边继续他的裁缝生涯，仿佛一切未曾发生过。

　　Strange cravings and hallucinations befall a young couple after seeking shelter in the home of an aging farmer and her peculiar son.