91
3.0

光荣战役

导演:
爱德华·兹威克
主演:
马修·布罗德里克,丹泽尔·华盛顿,加利·艾尔维斯,摩根·弗里曼,安德鲁·布劳尔,约翰·芬,JD·库鲁姆,艾伦·诺斯,鲍勃·冈顿,克利夫·德杨,杰伊·桑德斯,理查德·雷西尔,阿卜杜勒·萨拉姆·埃尔·拉扎克,彼得·迈克尔·戈茨,伊桑·菲利普斯,阿非莫·奥米拉,鲍勃·米诺,马克·马戈利斯,简·亚历山大,Rachel Lea Grundfast,凯文·R·赫舍贝格,凯文·贾尔 ,Jay Lance,比尔·努恩,雷蒙·雅克,Michael Wayne Thomas
别名:
未知
3.0
91人评分
英语
语言
未知
上映时间
未知
片长
简介:

  美国南北战争,白人军官罗伯特·古尔德萧(马修·布罗德里克 Matthew Broderick饰)在战斗中负伤,被一位名叫约翰·罗林斯(摩根·弗里曼 Morgan Freeman饰)的掘墓人发现送进了野战医院。在波士顿养病期间,罗伯特自愿接下了全部由黑人组成的“麻州第五十四兵团”指挥官的职务。然而面对种族歧视的严重偏见和白人同僚的冷嘲热讽,以及新兵瑞普(丹泽尔·华盛顿 Denzel Washington饰)的种种质疑,他毅然将一群从南方黑奴制度中脱逃至北方的乌合之众训练成一支纪律严明的部队。由他率领的黑人兵团“麻州第五十四兵团”,在南方的查尔斯坦战役中写下光辉的一页。然而罗伯特自己却在上战场攻坚时壮烈牺牲。
  由知名奥斯卡获奖导演爱德华·兹维克执导的史诗战争影片《光荣》,根据美国南北战争中的真实事件改编而成。本片以对作战场面触目惊心地描写和对黑人受虐惨况催人泪下地刻画,赢得1990年第62届奥斯卡金像奖最佳男配角、最佳摄影、最佳音响等多项大奖。尚未成名的丹泽尔·华盛顿更凭借此片一同收获1990年第47届金球奖最佳男配角。

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主演:Ib Koch-Olsen
简介:

  The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

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