60
4.0

幼儿园的男阿姨

导演:
王冕舜
主演:
王冕舜
别名:
未知
4.0
60人评分
国语
语言
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上映时间
未知
片长
简介:

本片讲述幼儿园男阿姨的故事,描述了一个年轻小伙王小田带着对孩子早期教育的热情来到一家幼儿园,却遭遇了许多意想不到的困难,通过他的不懈努力,从刚开始的嘲笑、不理解、质疑,到后来被大家的支持和欢迎……

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拯救朵拉的爱情
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更新时间:03月17日
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简介:二十二岁刚刚大学毕业的朵拉,是一个爱做梦和喜欢幻想,天马行空的女孩,在告别了亲妈的生活供给以后,与一心想成为明星的宝玉,梦想成为成功企业家的小龙,以及精打细算,高冷美丽的金牛座女生西瑞合租在一起。朵拉每日幻想着自己与不同的人发生着不同的爱情故事,遇到各种不同的状况。终于一次朵拉在梦中化身为一名潜伏在中统内部的共产党员,再一次计划失败身份暴露后,自己的爱人为了保护自己而牺牲。从此现实中的朵拉无法从梦境中自拔,并深信自己只是穿越到了革命胜利后国民富强的现代,从而闹出一系列的闹剧,并最终惹怒了房东,朵拉及他的朋友们被扫地出门。朵拉的朋友也想尽一切办法对她进行拯救。于是决定由宝玉导演,西瑞和小龙一同配合 将朵拉的梦境还原成一场电影,改写结局,拯救朵拉梦中的爱情。计划终于得以顺利进行,然而剧组开机的第一天,朵拉被押赴刑场,却意外地遇见与梦中爱人长相相同的张解放。朵拉不顾众人的阻拦疯狂的追到张解放的家里,不想被被张解放老年痴呆的爷爷误认成为自己当年的爱人瑞芳。朵拉被西瑞等人带回剧组后陷入了对张解放的相思之中。朵拉开始了每日对张解放的疯狂追求,却使得张解放对自己越发的反感,朵拉彻底搞砸了这场爱情,陷入痛苦之中。朵拉的朋友们见状后,对朵拉既爱又恨,但还是决定帮助对爱情倔强执着的朵拉来拯救她的爱情。
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星际旅行9:起义
75
5.0
HD中字
星际旅行9:起义
5.0
更新时间:2026年01月22日
主演:帕特里克·斯图尔特,乔纳森·弗雷克斯,布伦特·斯皮内,莱瓦尔·伯顿,盖茨·麦克法登,唐纳·墨菲,迈克尔·多恩,玛丽娜·赛提斯,F·默里·亚伯拉罕,安东尼·泽比
简介:

  皮卡特舰长获知百科(Data)中尉在巴库(Baku)星球被掳为人质后立刻率企业号前往营救。当他们来到巴库星球,整个星球上只居住了六百名巴库人,与世隔绝、摒弃科技、崇尚和平,过着纯朴的生活;百科被掳不像是巴库人的作风,想必另有隐情。皮卡特舰长遇到一名叫做安妮的巴库女子,经由她得知巴库人虽然看起来年轻,星球的原居民巴库其实年龄都已经超过三百岁了。面临老化的索纳(Sons)人,发现巴库人长生不老的秘诀再于巴库星球外围的特殊放射线能不断的重组基因结构。如今巴库人要遭受灭种的威胁……
  来自外层空间的索纳人联结星际联盟,根据原有的巴库人村落拟造了一个一模一样的环境,预谋将巴库人迁徙到这个虚拟村落,企图独享青春泉源。
  瑟纳人首领鲁阿弗假藉文化访查之名率众进入巴库星球,企图赶走巴库人,占领巴库星球。皮卡特舰长将所获知的情报呈报杜尔迪司令,却发现司令与星际联邦总部早已知情,并暗中参与这项阴谋。杜尔迪不理会皮卡特的抗议,下令企业号立即撤返,不得干预。毕卡舰长面临了关键性的一刻,若他服从命令就违背了当初加入星际舰队时曾立下的誓言,反之,若采取行动,他则必须放弃事业、组员、企业号、一切!来投入这场天堂之战。

3085
1998
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主演:帕特里克·斯图尔特,乔纳森·弗雷克斯,布伦特·斯皮内,莱瓦尔·伯顿,盖茨·麦克法登,唐纳·墨菲,迈克尔·多恩,玛丽娜·赛提斯,F·默里·亚伯拉罕,安东尼·泽比
盲目的丈夫们
49
5.0
HD中字
盲目的丈夫们
5.0
更新时间:2026年01月22日
主演:萨姆·德·格拉斯,Francelia Billington,埃里克·冯·施特罗海姆,Fay Holderness,Richard Cumming
简介:

  Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

4275
1919
盲目的丈夫们
主演:萨姆·德·格拉斯,Francelia Billington,埃里克·冯·施特罗海姆,Fay Holderness,Richard Cumming
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