Follows a variety of New York characters as they navigate personal relationships and unexpected problems over the course of one day. 入围圣丹斯电影节 主竞赛单元之一的NEXT单元
知道未婚夫出轨的直子，被拥有不可思议魅力的同事山口纱季盯上，开始了匹配应用程序。与各种各样的男人相遇，一边接受金钱，一边反复进行临时约会的直子，一天比一天华丽起来。注意到自己的样子逐渐变得像山口而动摇，但也不能停止。这样一来，直子产生了不安也被消除的错觉，渐渐迷失了自己，陷入了更加不安的漩涡中。
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author: TimothyFarrell from Worcester, MA "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10) -from imdb
珊珊是警局的文员，她一直希望走到前线为民请命，除暴安良。常与好友巧伦及May幻想如何破案。珊珊闲时更会把破奇案的想法与网友天佑分享，天佑幽默而浪漫，很快便得到珊珊的欢心，二人渐渐发展成为网络情人。然而怪事地接二连三的发生，珊珊在网上所说的幻想，竟在现实生活中发生，初时珊珊还以为是天佑浪漫的安排，但发生的事却连火灾、车祸、凶杀都有，珊珊担心人身安全，她先后怀疑天佑、巧伦和May，没想到真凶竟是自...
被赌博毁灭了自己的生活的三个陌生人走到一起，因其命运也被连接起来。
金魁是在清水河边长大的。他14岁时失去右腿以后，面对屈辱和痛苦，他常常来到清水河边，发泄自己的情感。如今，金魁已经长大成人了，找到了在鞋厂当临时工的工作。他非常珍惜自己的工作，努力学艺。有一次，金魁为了给一个受欺负的卖鸡蛋女孩打抱不平而受到了批评，还失去了工作，被没收了锻炼用的器械。他只好白天上山照相，晚上做活重建自己的生活。金魁的精神引起了幼教欧阳贞的注意，不久他们就相爱了。金魁决定参加残奥会，...
1960年代初，中国刚从三年自然灾害中挣脱出来，广大农村围绕是否搞“三自一包”展开了一场激烈斗争。牛角石大队支部书记齐兰子（胡静 饰）和贫下中农带头反对，地委干部陈秉仁（常文治 饰），大队支委何一德（王保善 饰）等则极力拥护。何一德谣言惑众，药死齐兰子家的猪。无奈之下，齐兰子给党中央写信反映情况，陈秉仁使用“调虎离山”计，把齐兰子支到张家湾参观，趁机撤掉她的职务。齐兰子将计就计，在张家湾串联群众，把已经推行的“三自一包”翻了过来，并组织群众赶到牛角石，制止包产到户行为，陈秉仁恼羞成怒，对兰子进行人身迫害。关健时刻，县委领导宣布：“三自一包”是错误的......
複雑に揺れる3人の男女の、愛の行方を描いたドラマ。監督は「閉じる日」の行定勲。脚本は、行定監督と「閉じる日」の益子昌一の共同。撮影を「閉じる日」の福本淳が担当している。主演は、「RED SHADOW 赤影」の麻生久美子、「月光の囁き」のつぐみ、「けものがれ、俺らの猿と Getting wild with our monkey」の永瀬正敏。2001年度キネマ旬報ベスト・テン監督賞受賞作品。16ミリからのブローアップ。
