企业动物

　　故事发生在20世纪50年代的新墨西哥州，一个年轻的总机操作员和电台DJ发现了一个奇怪的频率，这个频率可能会永远改变他们的生活、他们的小镇和整个地球。《夜之无极》落入了《暮光之城》的兔子洞，通过掉落的电话、调幅无线电信号、被遗忘在图书馆里的秘密磁带卷、交换机、交叉的补线和一个匿名电话，他小心翼翼地将一个寻寻式的寻人故事编织在一起。《夜之无极》通过令人困惑的全程跟踪镜头、快速的对话和完美的时代术语，将观众带入一个远离外界的时代和小镇。它的神秘只呈现给那些好奇和有足够耐心去倾听的人。

　　玛格丽特（弗朗西斯卡·内莉 Francesca Neri 饰）是全米兰最美丽的女人，普里莫利伯爵一直包养着玛格丽特，支付她的所有生活开销，并且深深的为她的外表所着迷。一次偶然中，玛格丽特邂逅了名为阿尔玛的男青年，看到玛格丽特第一眼时，阿尔玛就已经深深的坠入了情网之中，然而， 玛格丽特碍于自己的身份无法同阿尔玛心意相通，可实际上，她也对这段正常的感情有着无限的期待。
　　终于，玛格丽特和阿尔玛捅破了两人之间的窗户纸走到了一起，这令普里莫利伯爵非常的生气。玛格丽特离开了伯爵，和阿尔玛一起隐居乡间，但因为普里莫利伯爵拒绝再对玛格丽特进行经济支援，两人的生活很快就陷入了困顿之中。

　　李凯（贺刚 饰）是一个默默无闻的小编剧，最近，他接了一个写剧本的活，却因为本身没有恋爱经验而被制作人诟病挑刺，为了保住这份工作，他不得不找到刘夏（萧蔷 饰）提议两人假扮情侣。刘夏是一位标准的职场女性，在工作上努力拼搏，自然忽略了个人的感情生活。这一次，父母千里昭昭来到刘夏身边打算催婚，为了打发父母，刘夏同意了李凯的提议。
　　刘夏有过一段失败的感情，她的前男友是一个有着强迫症的处女座，因此她发誓这辈子再也不会和处女座打交道，巧合的是，李凯就是处女座，为了不刺激到刘夏，李凯谎称自己是狮子座，就这样，两人开始了他们的同居生活。

　　一张新公寓的平面图，两天的搬家进出，莉莎即将告别与玛拉同住的日子，所有的亲密与角力、回忆与张望，都在这狭小的空间中幽微地拉扯著。各方好友、家人、工人、邻居或小狗逐一现身，通通汇集到搬家现场，但每一次的错身或交谈，都有着不寻常的气息及欲望在狭缝里流动。有些家俱将被带走，有些记忆会被留下，莉莎、玛拉与这群好友之间的互动和情谊，都随着不时响起的华尔滋舞曲，在一进一退之间，谱写出充满焦虑、嫉妒、暧昧、孤独交织的浪漫小节。

　　本片是关于20世纪伟大数学家小约翰•福布斯-纳什的人物传记片。
　　小约翰•福布斯-纳什（拉塞尔•克劳）在念研究生时，便发表了著名的博弈理论，该理论虽只有短短26页，却在经济、军事等领域产生了深远的影响。但就在小约翰•福布斯-纳什蜚声国际时，他的出众直觉因为精神分裂症受到困扰，然而这并没阻止他向学术上的最高层进军的步伐，在深爱他的妻子艾丽西亚（珍妮弗•康纳利）的鼓励和帮助下，他走得虽然艰缓，却始终没有停步，而最终，凭借十几年的不懈努力和顽强意志，他如愿以偿。

　　This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.
　　comments from imdb:
　　This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.
　　This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.
　　The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.
　　I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.
　　15 out of 10 and then some. 10/10
　　Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.
　　And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.
　　The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".
　　Intelligent, emotional, tragic and real, this is an absolute gem. 9/10