可爱的大学生拉克的伴侣背着他和拉克最好的朋友偷情。这段新的伤痛期给了坏男孩哈泽·迪诺一个直接向拉克献殷勤的机会。迪诺不害怕表达自己的感受。毫不动摇，他等待他的下级动摇，并打开他的心与他出去。 ~改编自斯克里帕尔的小说《恐龙之恋(ไดโนซอร์รัก)》
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author: TimothyFarrell from Worcester, MA "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10) -from imdb
著名男演员吉奥瓦尼回到故乡博洛尼亚，参加他孪生兄弟皮普的葬礼，皮普因为爱情的不幸而自杀，而家里人却告诉吉奥瓦尼的死因是个意外事故。但问题是皮普生前的未婚妻——瓦达，她并不打算在葬礼上露面。在家庭晚餐上，瓦达告诉吉奥瓦尼，皮普生前留下了一封短信……
当连环杀手洛萨 · 施拉姆躺在自己的血泊中奄奄一息的时候，他眼前闪过了关于自己悲惨生活的恐怖记忆——偏执、自残和拒绝。一个连环杀手内心的悲剧。
尽管所有压倒性的证据都指向金娇，她却自始至终反复坚称自己清白无辜。法庭最终做出死刑判决，将她彻底推向绝路，金娇带着满腔愤怒、悲痛与怨恨咽下了最后一口气。死后，这份积压到极致的怨念并未随生命消散，化作索命的怨灵重返人间。所有将她推向死亡的人，都要被这份滔天恨意裹挟，为这场不公的裁决逐一付出血的代价。
故事讲述艾米，一个11岁的女孩，在学校加入了一个名为“可爱”的舞蹈团，她很快就意识到她日益增长的女性气质——在这个过程中，这让她的母亲和她的价值观感到不安。
