艋舺

　　The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

　　电影根据同名游戏改编，讲述了动荡的东汉末年，汉室摇摇欲坠，董卓入京霸占朝野，引起天下动荡，身怀绝世武艺的曹操、吕布、刘备、关羽、张飞等各路英雄豪杰纷纷崛起，一场群雄逐鹿的大混战正式拉开序幕。在乱世中，到底谁才是真正的无双英雄……

　　A cynical journalist decides to take a train from Washington, D.C. to Los Angeles for Christmas to get inspiration for a story in honor of his late father. He gets to know the other passengers and runs into an old flame while aboard.

　　恐怖的吸血鬼一直是影坛极爱采用的题材，但是这个题材交到搞笑见长的艾迪墨菲手上，却有不一样的新意。＂我＂片中墨菲饰演能随意幻化外貌的吸血鬼麦克斯，为了繁衍下一代，他来到世界之都－纽约，找寻合适的对象。女警丽塔是麦克斯看中的对象，他使出混身解数展开追求，但却遭到百般阻挠···。本片中墨菲变换了数种面貌、造型变化多端，令观众时时刻刻都有惊奇，而吸血鬼题材向来所见的惊悚感，配上本片刻意营造的喜剧特色，综合出一般又惊又喜的感受。

　　莽莽野林，布满了死亡陷井。失散的侦察员山努孤身与敌军特工展开了殊死的搏斗本片描写钢铁战士超人的毅力和非凡的本领，揭露敌人灭绝人性的暴行和卑劣淫荡的兽性，展示了惊心动魄的丛林血战。坦克、撞车、爆炸、火焰；真实表演，激烈场面，实为一部难得的佳作。

　　这是四段关于情、关于重新出发的故事。由「丽诚影室」这照相馆、里面的相片和人物互相牵引。四个故事同时开展，各人于照相馆内穿插出现，互相影响。

　　《校合唱团的秘密》是一个穿插有很多音乐元素的儿童题材剧情短片，剧情设置在20世纪90年代匈牙利的布达佩斯。 灵感来自一个真实的故事，讲述一个获奖的学校合唱团，新来的女孩揭露其名声背后的丑陋秘密。

　　影片讲述了还有一周就要结婚的准新郎和四个伴郎的故事，五个年过而立却玩心不改的大男孩，在面对婚姻大事时，产生了一连串将为人父、对配偶的忠诚和成长的烦恼，最终发现他们“加长”的青春期终究有结束的一天。