上班一条虫

　　这部纪录片系列讲述了目前参加NASCAR 杯系列赛的唯一一名黑人赛车手布巴·华莱士的故事，他用自己的发声和天赋改变了这项运动。

　　一次大地震令洛杉矶地底深处的火山喷发，向着住宅区流去，维修地下管道的工人被烧死。地质学家艾美和朋友下去隧道勘测时亲身经历了朋友被岩浆喷发带走了生命。一时之间，城市一隅充满了地底爆发的岩浆。危机处理中心总指挥麦克（Tommy Lee Jones 饰）采取了艾美博士的建议开始疏散人群，他们先利用数百万吨空中降水来使来势汹汹的岩浆变成障碍物，阻挡了岩浆的流动。正当大家以为松一口气时，艾美博士认为岩浆并没有真正被阻挡，只是改变了流向，而且正在往充满伤员的医院奔涌。他们只剩下30分钟的时间去处理这个问题，他们能成功吗？

　　Best friends Cliff and Otis plan to get rich quick by stealing from some of the most dangerous foes in the business: drug dealers. Going against the plan, the two spend the night partying, allowing the molikan.com audience to see that, in a certain light, the "bad guys" weren't really all that bad to begin with. Simply put, this film is just your everyday druggie, dramedy, indie musical that's filled with Germans, Jesus, banjos, bongos, beers, and bongs.

　　该片由汉娜·菲德尔(《六年之痒》《教师情事》)执导，讲述青少年Nathan发现了一个与众不同的路伴Richard ，协助后者解决汽车问题，两人踏上了从美国南部前往洛杉矶的计划之外的公路之旅。

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

　　22世纪，机器人及人工智能技术取得颠覆式发展。由于人工智能基点提前到来，数量和智力上都以指数型增速完成自我进化的机器人，开始大肆占领国家重要枢纽机构，全面清洗人类，节节败退的人类处境岌岌可危。一小部分人类伺机而动，成为正邪泯灭，钱字当头的赏金猎人。三方势力胶着，日趋白热化，彼此的仇恨一触即发…
　　为了拯救人类，一支人类特遣小分队，独闯停战区。他们究竟能不能在一个小时里，找到机器人设计致命弱点，拯救整个人类。

　　王大娘的儿子王志良今天办喜事，新媳妇是红旗队的巧红姑娘。巧红初中毕业回乡务农，干农活、搞科学实验样样都是能手。红旗队和王大娘他们队正在搞“比学赶帮超”活动，红旗队支援他们许多豆种，如今又把这么个满身技术的姑娘嫁了过来，王大娘越想越高兴，越想越感激。儿子王志良在大喜的日子也顾不上自己的事，王大娘刚想埋怨，儿子却说红旗队修渠缺人手，正在队里帮他们组织劳动力准备支援，王大娘赶忙鼓励儿子干好这件事。这时大仓闯了来，告诉王大娘巧红的嫁妆运来了一大车。王大娘一听急了，如今新社会怎么还搞这一套?来到村口，看到红旗队的女队长正喊人卸车。王大娘二话没说，非让女队长把“嫁妆”运回去，也不听人家的解释。女队长好说歹说半天，才总算把事情说清楚，原来他们送来的是2000棵苹果树苗，还有河鱼苗、水稻秧、小麦种，是为了支援王大娘他们队的。王大娘大受感动，直埋怨自己。这时大仓又发现了新娘子成立良种培育小组的建议书，王志良也表示说办就办。女队长在一旁插话：“大娘，这才是新媳妇的新嫁妆呢!”大仓喊起来：“呃，你看，新媳妇来了!”