对你的想象

 锡伯族摔跤手锡林，训练刻苦 在国际摔跤邀请赛上力克号称“当代斯巴达克”的詹金斯，使中国摔跤运动实现了零的突破。

　　《忍无可忍》以女性应勇敢抗争为主题，片中有不少暴力镜头。
　　六年前，在餐馆打工的Slim（詹妮弗·洛佩兹 Jennifer Lopez 饰）被客人纠缠，幸得Mitch（比利·坎尔贝 Bill Campbell 饰）挺身而出，很快两人坠入爱河并结了婚。6年过去了，他们有了女儿Gracie，一家人过着平静富足的生活。但偶然，Slim发现Mitch和其他女人有染而发生了争吵被Mitch打伤，从此恶梦般的生活开始了。Mitch有严重暴力倾向，他的变本加厉彻底毁灭了Slim原本打算忍辱偷生的念头，不堪忍受痛苦的她带着女儿逃离了这个家。她们辗转于西亚图、旧金山等多个城市，却仍无法摆脱Slim幽灵一般的纠缠。Slim终于被逼到崩溃的边缘，她决定用最极端的方法来结束自己和女儿的恶梦——杀死Mitch......

　　Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.
　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)
　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.
　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).
　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.