柔道龙虎榜

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

　　相恋四周年纪念日当晚，舒敏离奇失踪，案发现场一片狼藉，男友向泽被警方列为头号嫌疑人。神秘密室，幽幽海墅，一段错综复杂的迷宗魅影，一袭精心策划的爱的骗局。旧事.新恨，“相杀相爱”。一首关乎爱情.亲情.友情的冰与火之歌。

　　二战期间，一队年轻的澳大利亚士兵乘船穿越帝汶海时，船只不幸沉没。他们登上了一艘不断破损、空间日渐狭小的救生筏，必须在严酷的海上环境中寻找求生之路。此时，他们身处茫茫大海，四周数百英里内荒无人烟，不仅要应对士兵间的人际冲突与敌人的袭击，还得直面一头体型庞大、饥肠辘辘的大白鲨的步步逼近。