上野樹里と林遣都の共演により、第14回小説現代長編新人賞を受賞したパリュスあや子の小説「隣人X」が映画化。「隣人X 疑惑の彼女」のタイトルで12月1日より東京・新宿ピカデリーほか全国で公開される。
第八季 (播出目录) (2014) Season 08 S08E01 外星飞船 Alien Transports (2014年06月13日)；
李昊与龙哥、阿正开一间小酒馆。一个女孩的出现改变了平静的酒吧，李昊对她一见钟情，本想用歌声打动她，却被前来找她的男友阿坤看到了这一幕，阿坤有权有势，趁着夜深人静的时候，把酒馆砸了个稀巴烂。 雅兰本打算把自己的身子给李昊，李昊和阿正却被阿坤手下打成了重伤。眼看着所有人的梦想就此破灭。李昊知道由于自己所谓的爱情，让兄弟们放弃了心中的梦想。最后，李昊独自一人去找回失去的尊严，重新点燃兄弟们的梦想......
小提琴家刘智康（金城武）和翻译家蔡嘉仪（梁咏琪）的房间仅相隔一堵墙，然而由于总是在同一时刻同一地点一个向左一个向右走，他们从没遇见过。某天因为来到同一所公园，他们终于在一片水池的一端相遇，并且一见如故。一个快乐又甜蜜的下午很快过去，快黄昏时突降倾盆大雨，两人于匆忙分手时交换了电话号码，不料到家后发现写有号码的纸片已被雨水打湿成模糊一团。 为了让刘智康和蔡嘉仪今生都不能再见面，分别暗恋他们的小红和胡医生想出诡计，加上两人相遇的公园正在清拆，他们开始相信彼此之间真的没有缘分。
三十岁上的阿搏（周润发 饰）心地善良，可惜事业一事无成，长年与痴迷茅山道术的表姐金花（叶德娴 饰）相依为命，身边只有一个聋哑的昔日江湖兄弟“六尺三”跟随。某日，阿搏在一只古旧家具中发现女鬼魏小蝶（钟楚红 饰）的求助信，遂奉献三年阳寿与小蝶结为鬼夫妻，以助其脱离阴婚羁绊。魏小蝶回阳世报恩，却被阿搏误会为落难大陆妹并再次搭救。阿搏女友阿美（王小凤 饰）厌倦清苦生活频频出轨，终于弃阿搏而去，小蝶现身安慰，填补了阿搏的情感缺失，看穿小蝶女鬼身份的金花施法捉鬼，但终于被小蝶的诚意打动，反而帮助小蝶延长在阳世逗留的时间。阿美离开阿搏后生活并不如意，要求复合被阿搏拒绝后愤而自杀，化作厉鬼寻仇……
迈克（保罗·吉亚玛提 Paul Giamatti 饰）是一名小镇律师，在帮一位老年痴呆症老头里奥（波特·杨 Burt Young 饰）打监护权官司时，阴差阳错自己成了里奥的监护人。光照顾老头还不够，里奥的外孙凯尔（阿历克斯·夏夫尔 Alex Shaffer 饰）又不期而 至，他因为和吸毒的母亲不和来投靠外公，迈克一家只好收留他，并安排他到附近高中念书。迈克同时还兼任该所高中摔跤队教练，很快发现凯尔是个很有天赋的摔跤手。局面似乎很“双赢”，里奥和凯尔得到生活上的照顾，迈克的队伍里多了个主力，每个月还有1500元监护收入补贴家用。 但平衡因为凯尔母亲辛迪（梅兰妮·林斯基 Melanie Lynskey 饰）到来而打破，她想夺回里奥的监护权，母亲来了，凯尔也没理由再和迈克一家生活在一起，但只有凯尔明白，他母亲对他和祖父丝毫没有关爱，一切目的只是祖父的钱…
2012韩国电影《无情的城市》堪称“韩国版《撞车》”，以9个人物为中心，讲述他们在24小时内发生的连环悲剧。李基英在片中饰演一位放高利贷的放债人，他放贷给面临破产危机的金大宇(金石勋饰)，在金大宇没能力偿还高利贷后李基英就以此为借口威胁金大宇说要摘除他的脏器。特别是李基英在杀死自己的妻子后，当他被指定为嫌疑人接受调查时面不改色、处变不惊、泰然处之的演技表现，令人感到毛骨悚然。
早一步离开仓库去寻找程医生的陆离、苏婉娜几人还不知道这寂静的小镇上只有他们成为了僵尸最后的猎物。 陆离等人巧遇之前的道士山羊，而被僵尸咬伤的程医生恰被山羊救走，安顿在山上的破庙里。少时，邢老师拖着伤腿也来到庙中，把仓库里发生的一切告诉众人。 山羊和邢老师面对众人说出了这场僵尸灾难爆发的原因。因盗墓利益集团的驱使才使得这场灾难难以控制。现在唯有找到太平镇石碑，才能化解这场灾难。 在寻找石碑的路上，神秘男孩吴辛也再次出现，众人却发现已被僵尸包围无处可逃.....
An influencer comes across a VIP party invite not meant for her and dives headfirst into the side of the industry where secrets are worth killing for.
This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects. comments from imdb: This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films. This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away. The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking. I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever. 15 out of 10 and then some. 10/10 Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy. And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy. The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks". Intelligent, emotional, tragic and real, this is an absolute gem. 9/10
