这部影片摄于35mm胶片，是一张来自真实世界的邀请函，准备为沉浸于电子设备的现代观众解毒。一位特立独行的科学家，就在史蒂夫·乔布斯推出第一台iPhone的时候，拯救了世界上最后一家宝丽来工厂，重新发现了拍立得的配方。这也是一个有趣的失败者故事，像极了现代版的堂吉诃德。
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author: TimothyFarrell from Worcester, MA "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10) -from imdb
两次金棕榈得主、丹麦导演比利·奥古斯特新片《The Passion ion ofMarie》，讲述丹麦历史上两位著名画家Peder SeverinKroyer和妻子Marie之间的故事。在凭借《征服者佩尔》摘得奥斯卡最佳外语片、金棕榈以及金球奖扬名国际之后，奥古斯特一直在外国拍片，1992年瑞典语的《善意的背叛》再次摘得金棕榈奖，而《ThePassion ofMarie》将是他14年来的首部丹麦影片。Kroyer曾在巴黎留学，是他将印象画派介绍给了丹麦。他在37岁时遇到了小自己16岁的Marie，但他不稳定的精神状态毁掉了两人的婚姻。Marie后来离开了他并瑞典著名的作曲家雨果·阿尔芬结合。
Doug Baily's father is weird, but a strange machine in the garage now makes him invisible too. Its a roller coaster ride of fun and hijinks as Doug tries to turn his invisible dad back to normal again
影片设置于未来世界，讲述侦探马克(弗兰克·格里罗饰)的儿子被外星飞船吸走，而他需解救儿子，并对抗无时不在的外星生物。
电影美术指导、曾拍摄告五人、魏如萱知名MV导演姚国祯，今年发表首部短片作品《家家》将在台北电影节首度与观众见面，该片邀来廖庆松与五月天阿信携手监制，演歌导全能天后刘若英独挑大梁一人贯穿全片，她在封闭环境里，透过不同的眼神，声音层次，表达角色与一个神秘角色跨越时空的终极对话，大秀影后级精湛演技。
来自南美的马克斯·伯雷表面上是个海上贸易的商人，暗中却从事军火、毒品、绑架甚至强迫卖淫等罪恶勾当。某国接连派出四名特工前往他所落脚的伊朗首都德黑兰，却无一例外，皆遭杀害。为避免公开行动引起国际纠纷，该国聘请神秘的杀手“骷髅13”（高仓健 饰）前去刺杀马克斯。骷髅13本名Duke·东乡，是一名混血儿。经过慎重考虑，东乡接下这个任务，并和该国女特工凯瑟琳假扮夫妻潜入伊朗。他的行踪不久便为马克斯的团伙所得知，对方相继派出瓦尔特、西蒙、道格拉斯等高手前来阻挠。高手对决接连展开…… 本片根据さいとう・たかをが的漫画改编。
Emilia, 17, arrives at her Aunt Ines' hostel at the border between Argentina and Brazil, looking for her long lost brother. In this luxuriant jungle, where local myths and legends abound, a dangerous beast believed to be the spirit of an evil man taking the form of different animals seems to be roaming around. On a journey to sexual awakening, Emilia will have to confront her past in order to kill the beast.
