逃亡者,偏偏躲进了偷情现场。 因同伴的背叛,成了逃亡者的志勋,为逃避警察的追捕躲进附近一房屋。 但这一家,偏偏是妻子目睹丈夫偷情的现场。 在这种荒唐的情况下,志勋只好把他们三个抓为人质。 绑架犯对我来说是值得庆幸的客人。 参加葬礼回来的恩珠... 发现家里来了客人, 而且是两个。 一个是同丈夫偷情的朋友,另一个是从未见过的绑架犯。 在这种情况下... 更没想到这个劫犯竟站到了孤单力势自己一旁.....
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author: TimothyFarrell from Worcester, MA "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10) -from imdb
维和女警杨小荷怀揣着一腔热血来到混乱、落后的维和地区执行任务,在亲眼目睹当地百姓身处水深火热之中、当地黑恶势力四处为非作恶欺压民众之后,杨小荷决心排除万难改变这一切,她凭借机智、英勇、胆量、坚忍将不法分子捉拿归案,解救千百个受迫害的妇女儿童脱离苦海,更让离散的家庭破镜重圆,恢复了当地民众的安宁生活,同时也实现了自我成长。
丹尼是个冷漠的美国摄影师,而克丽丝来自东欧,这个脆弱的女人经常会突然陷入情绪低落,表现出古怪行为。他们两人完全无法进行语言交流,丹尼只会说英语,克丽丝只能说法语。性是他们唯一的交流手段。他们为相互之间所激发的强烈性欲而难分难舍,特别是克丽丝,总是极端饥渴,几乎疯狂地追求性爱。或许只有用性才能使他们每天都几近崩溃的关系得到愈合,他们总是为鸡毛蒜皮的小事发生争吵,而在这时候他们就会为语言不通而备受折磨。 为了创作,丹尼带着克丽丝从洛杉矶前往29片棕榈叶小镇和约舒亚国家森林公园,开着车一路寻找最合适的创作地点。他们在车上过了四天四夜,在荒芜的庞大沙漠中失去了方向,通过不断的做爱、吵架、亲吻、闲聊等生活琐碎来消磨时间,直到某件恐怖、病态的意外结束了这一切。
上元节,繁华的长安城内妖气弥漫,文武百官进宫赴宴,国师凌玄上师与爱徒月半娇也在其中。月半娇隐约见到贵妃变成树妖,不顾师父阻拦将其打倒在地。皇帝大怒,下旨将月半娇押入大牢,月半娇狱中遇到同被关押的青年才子杜子腾,两人逃离监狱后,又结识了青莲剑仙太白先生、青楼杀手十二娘,组成了捉妖小队一同完成除妖救国的大计,但很快他们便发现,长安城危机的背后似乎有人作祟……
阿清(林俊贤 饰)、阿爱(许冠英 饰)和阿水(成奎安 饰)三人合开了一间捉鬼公司,生意一直冷冷清清。某日,三人听闻某游乐场即将展览两具千年古尸,觉得事有蹊跷,便前往一探究竟,随行的还有阿爱的女友小明(陈淑兰 饰)。 果不其然,展览当日现场发生了命案,阿清三人顺理成章的接下了这个案子,开始调查事件的真相,让他们没有想到的是,其中的一具古尸竟然复活逃走,为避免打草惊蛇,众人决定暂时由阿爱假扮那具失踪的古尸,却由此将阿爱和小明牵扯进了一段纵横前世今生横亘人鬼之间的旷世绝恋之中。大魔神复活了,然而它的元神并未合一,于是,它将魔爪伸向了小明和阿爱,企图抢夺他们手中拥有强大力量的龙珠。