老爹特烦恼

　　Society sleuths Nick and Nora Charles investigate a murder aboard a floating casino.
　　Nick and Nora Charles are attending a charity benefit aboard a gambling ship.
　　After a murder occurs, suspicion falls on Phil Brant, who had argued with the victim earlier in the evening.
　　When Phil and his wife seek help from Nick and Nora, Nick refuses to get involved.
　　But when shots are fired outside his own apartment, Nick begins to investigate, and he soon finds himself in a confusing case with numerous suspects.
　　Nick and Nora Charles were the ultimate screen couple, husband and wife detectives, always in step and never missing an opportunity to outwit one another as they solved each crime, which they did just in time for the movie's ending.
　　Myrna Loy was a fantastic Nora, the ideal wife and considering she made 14 movies with William Powell, she made it look like they were really married.
　　The Thin Man movies, all six of them, played more like sophisticated screwball comedies than murder mysteries, and their comic banter enhanced the proceedings.
　　Their little wire-haired terrier, Asta, quite often stole the scene as he helped sleuth out the guilty party.
　　He was a great little actor and rumor had it that away from the Thin Man movies, Asta was really Skippy.
　　However, the six Thin Man movies credit this cute pooch as "Asta."

　　科学家多明哥博士，幼时即有偷窥女性裸体之病态···。他应邀发表隐形的重大发现，在表演时却失败，受到其他科学家嘲笑，愤而当场杀死逃避不及的科学家···。后来隐形液试验成功，他便展开一连串的血腥游戏。

　　Modern day teens Mack and Brady get a real world visit from Lela, Tanner, Butchy, and other surfer and biker pals from the beach party film within a film, Wet Side Story. 

　　马塞洛（马塞洛·马斯楚安尼 Marcello Mastroianni 饰）、菲利普（菲利浦·诺瓦雷 Philippe Noiret 饰）、雨果（乌戈·托格内吉 Ugo Tognazzi 饰）和米歇尔（米歇尔·皮寇利 Michel Piccoli 饰）是四个事业有成但心灵空虚的中年男人，面对再无可恋的世界，四人决定以一种极其夸张的方式在极致的快感中迎来他们的死亡。
　　四人驱车来到了一幢地处偏远的别墅中，这里就是他们的死地，紧接着，一场十分荒唐却又极尽奢华的狂欢盛宴开始了，四人彻底抛弃了作为人的属性，任凭兽性肆虐。为了给这场死亡之宴增加亮点，他们邀请了三个妓女和一个小学女教师加入他们的行列。很快，对屋子里的一切忍无可忍的妓女们离开了，但小学女教师的兴致似乎比这四个疯狂的男人还有过之而无不及。

　　影片讲述了两男一女在一条救生船上漂流求生的故事，是一部艺术性极高带有实验性电影语言的超现实主义作品。导演皮索托用精湛的摄影，剪辑和蒙太奇把戏剧化情节和人物内心思想的矛盾和斗争表现得淋漓尽致，苏联电影大师谢尔盖·爱森斯坦在看过后大为惊叹，并称它是“电影纯语言”的典范之作。