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　　The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

　　眼看着就要奔四的韩松伊（姜惠贞 饰）感情生活依旧一片空白，一次偶然中，她和名叫镇浩（裴秀彬 饰）的男子相遇了，英俊帅气的镇浩很快就吸引了韩松伊的注意，两人一拍即合，感情发展惊人的顺利。然而，随着时间的推移，韩松伊最终还是发现了镇浩的秘密，那就是，除了自己之外，镇浩竟然还 有另外两个正在交往的女朋友。
　　气不打一处来的韩松伊勇敢的站在了情敌们的面前，三个女人一台戏，在不断的斗智斗勇和争风吃醋之中，三人之间竟然产生了奇妙而又坚实的友谊。难道这种三女侍一男的局面就要这样继续下去了吗？抱着这样的疑问，剧情发生了剧烈的转折。

　　由星动互娱出品发行，影参谋、天道鑫童联合出品，纵昕芸、杨可、张跃刚等联合主演的校园惊悚片《画壁之消失的校花》，讲述了四名放假不回家的女学生在学校泳池讲着鬼故事，传闻老5号教学楼时常闹鬼，更为恐惧的是据说一个梦游的美术系女生留下一副壁画以后莫名的死了，而她的死亡方式和画中女孩一模一样。如今这栋教学楼已封闭起来。其中一名学生杨佳宁却因第二天面试需要的设计稿丢到了5号楼，他们悄悄的进入了5号楼。里面透着一股腐败的阴森。四个女孩果然发现了那传闻中的死亡壁画，途中又遇到了前来救助的辅导员，可四个女孩相继遇险，逃不出“画壁惊现，难逃一死”的魔咒，凶手究竟是谁？

　　离婚后恢复单身的纱和（上户彩饰）在海滨小镇的餐馆打工度日。一个偶然的机会，纱和与北野（斋藤工 饰）再次相遇，约定了不再见面的两人，在四目相对的那一瞬间感情被重新点燃。然而这段禁忌之恋很快被北野的妻子（伊藤步 饰）发现，并与二人产生了激烈的冲突。与此同时，餐厅老板杉崎（平山浩行 饰）的出现，也让四个人的情感走向更加扑朔迷离，一边是复燃的旧情，一边是“永不再相见”的约定，几个主人公的命运再次纠缠在一起。

　　In 13th century a determined group of Knights Templar defends Rochester Castle against the tyrannical King John.

　　青年奥德·托马斯（安东·叶利钦 Anton Yelchin 饰）生活在加利福尼亚某个僻静小镇，当年母亲错把Todd登记成Odd（怪人），以致于他也被人称为怪咖托马斯。不过这个称号对他来说也算实至名归，因为托马斯能够看到幽灵，他时常为蒙受不白之冤的怨灵追查凶手，也由此和警长怀特·波特（威廉·达福 Willem Dafoe 饰）培养出父子般的信任。原本和女友史多梅·卢埃林（爱迪生·蒂姆林 Addison Timlin 饰）过着还算宁静舒适的生活，但某天托马斯发现怨念重重的血灵大量集聚在某个男人身旁，而不久前梦中的可怕场景又让他心有余悸。
　　托马斯直觉感到，一场惨烈的屠杀可能即将到来，他必须想方设法阻止这一切发生……

　　本片纪录《影》诞生的全过程，展现张艺谋导演及电影主创如何把创意、文字变成一幅完整的水墨丹青的美学画卷。选取幕后电影人作为记录对象，包括演员、美术、摄影、道具、服装、剪辑等各个工种的工作人员，讲述他们为电影中每一帧拍摄做出的细致考量。影片揭示邓超一人分饰两角的秘密，邓超孙俪夫妇互怼互黑的日常，聚光灯外不问收获但问耕耘的幕后英雄，让观众了解中国电影工业的全貌，体验电影人非凡匠心的感动瞬间。