Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author: TimothyFarrell from Worcester, MA "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10) -from imdb
Special Features Audio Commentaries on Each Film All-New Three-Part Documentary, Sleepless Nights: Revisiting The Slumber Party Massacres Photo and Poster Still Gallery Theatrical Trailers Editorial Reviews All Three Films In One Collection With New Bonus Features When Trish (Michelle Michaels) decides to invite her high school girls basketball teammates over for a slumber party, she has no idea the night will be ruined by an escaped mental patient with a portable drill in the cult classic The Slumber Party Massacre. The only sane survivor of the first incident, Courtney (Crystal Bernard), dreams of the driller killer returning in the first sequel, Slumber Party Massacre II. She cannot help shake the feeling that she and her friends will be viciously tormented by the killer. Her nightmare becomes reality when the killer returns, reincarnated as an evil rocker with a deadly guitar. After a relaxing day at the beach, a group of teens decide to have a slumber party. Their boyfriends predictably show up to scare them, but there is something much scarier lurking in the shadows as the group starts getting attacked by an unknown killer in the second, and last, installment, Slumber Party Massacre III.
The boys attempt to turn an old Renault Espace people carrier and turn it into a convertible people carrier. Richard road tests a pink Nissan Micra convertible. James road tests the funky new Honda Civic. Jeremy road test Sweden's outrageous supercar, the Koenigsegg CCX. The boys said good buy to the Suzuki Liana and welcome the new Chevrolet Lacetti as the new Reasonably Price Car.
故事以三国片段中曹操为刺杀董卓，只身前往虎穴献刀，司徒王允派爱女貂蝉离间董卓与吕布为历史主线，凭借一把可以穿越时空的七星刀，将历史与现代相连。 公元2016年，宅男屌丝游戏控的吕奉先参加热门网游明珠三国2的线下活动，却碰到了穿越到现代的貂蝉、董卓、曹操以及大小乔，貂蝉将长相相同的吕奉先误认为是三国里的战神吕布，从此跟随吕奉先，希望在其帮助下完成其历史使命刺杀董卓，这对世代痴缠的恋人又会擦出怎样的火花？ 曹操因穿越时落地不慎摔成了二傻，却唯独迷恋于大小乔这对呆萌姐妹花。而此时代表着三国恶势力的董卓在克服了对现实生活的各种不适之后又开始鼓动新的阴谋，一场从脱胎于三国，蔓延于现实的相爱相杀、恩怨痴缠正在上演。
棒球手泰奎（金康宇 饰）和泌尿科大夫珠英（金孝珍 饰）曾经是一对十分恩爱的恋人，然而最终还是以分手告终，十二年后，再度相遇的两人开始相信命运和缘分，决心复合并且火速订婚，然而，就在这个节骨眼上，两人各自隐瞒的秘密却成为了他们通往婚礼殿堂之路上的一颗威力巨大的炸弹。 素美（李允熹 饰）和男友原哲（玉泽演 饰）交往已经第七年了，七年实在是太久了，久到两人都忘记了他们的关系可以更进一步，成为夫妻。郁闷的素美只身一人踏上了旅途，却在阴差阳错之下结识了名为庆洙（朱智勋 饰）的男子，一来二去之间，素美发现自己或许再度坠入了爱河。
