天下第一2021

简介：

　　乾隆在位时,贤臣进谏开仓平乱,乾隆早想亲身了解百姓疾苦,决定与太监周日清微服出巡.江南胜景,风光如画,美女如云.乾隆尽尝地道美食;投栈时,乾隆委派周到妓院挑选妓女,在妓院内正见一少女秀丽可人,逐以高价替其少女赎身,献给皇上. 后来,少女带皇上及周返家,才知道少女卖身替父治病,就这样,二人在少女家中过着平民百姓生活,体恤民间苦况.

简介：导演伊万·安德鲁·帕亚瓦尔 (Ivan Andrew Payawal) 执导了这部浪漫剧情片，讲述了一对已经公开恋爱七年的同性恋情侣的故事。但是，当其中一个提议进行更独家的设置时，另一个会屈服以维持他们的关系吗？

简介：　　Two teenage friends conspire to find out how much their youthful sensuality can disrupt one of their households, headed by a dentist and his mentally-ill wife.

简介：Sam正职在货仓工作，闲时打地下拳赛赚钱，为人嚣张、野蛮、花心。一场意外，造成家庭破碎，留下一幼子。因此，Sam决定不再打地下拳赛，而得罪了地下拳赛大佬，从今与儿子相依为命，父子情深。可惜好景不长，儿子身体有严重隐疾，需要到美国接受治疗。为了赚取医疗费用，Sam带著儿子同时打几份兼职，却忽视了儿子的学校生活。此时，儿子的班主任MissChan主动提出协助。MissChan在与Sam父子的接触过程中，渐渐对Sam产生了情愫。

简介：

　　1944年6月，第二次世界大战接近尾声，远在南洋的塞班岛迎来了最为残酷的时刻。美国7万大军登陆小岛，以压倒性的优势摧毁了日军的防守。败局已定，日本军官下令全岛军民“玉碎”效忠天皇，美丽的塞班岛瞬时成为血流成河的人间地狱。陆军步兵第18连队的大尉大场荣（竹野内豊 饰）率领2000名战士向美军发起自杀式攻击，一番肉搏之后两败俱伤。大场侥幸逃生，遇到堀内今朝松（唐沢寿明 饰）、木谷敏男（山田孝之 饰）等其他部队的残余同志。适值此时，“生存”的信念占据大场的内心，他决定保护幸存的军民直到战争最后……
　　本片根据Don Jones的长篇实录小说《Oba, the Last Samurai: Saipan 1944-45（大场荣，最后的武士：塞班岛1944-1945）》改编，以二战时期塞班岛真实史实为基础。

简介：

　　影片以当前金融危机为背景，描述了大学生牛敞亮因失业而对城市生活感到失望，于是重回乡下老家希望恢复农民身份，引起各方面的连锁反应。最后，在党和政府的帮助下，带领乡亲们走上了创业之路，同时收获了一份朴素而纯美的乡村爱情……

简介：　　After a short split prologue showing riches as the root of evil in ancient and modern times, the film settles into 1914 France, where the Orient Express is about to be wrecked when a bridge washes out. Among those on board are Al and Travis, Americans who are traveling Europe spending Travis' money, and Marie, a German girl. The boys save Marie after the wreck and Travis falls in love with her. When World War I breaks out Al wants to enlist, but Travis can't, feeling loyal to Marie, a German. By 1917 Al has enlisted, and Travis follows him shortly after marrying Marie. Accused of being a German spy by a Russian agent, she is sentenced to die but is recognized by Travis, who is part of the firing squad. The town they are in is shelled and they are all trapped underground, during which a minister makes a lengthy parallel to ancient times when the King of Akkad persecuted his subjects and defied Jehovah, who finally sends a flood to wipe out mankind, except for Noah and his family, whom he has instructed to build an ark and fill it with two of every creature on earth.

简介：

　　When a mysterious figure starts to target State Alchemists for their sins against God, Alchemist Edward Elric and his brother Alphonse are at their most vulnerable, meanwhile the homunculi begin to unveil themselves once again.

简介：

　　「下山メシ 高崎篇」では、群馬県高崎市のシンボル・榛名山（はるなさん）を訪ね、富士山のように整った形が特徴の榛名富士を登ったあと、榛名湖畔の食事処・大蔵坊（だいぞうぼう）こばやしを訪れる。わかさぎフリッター、メンチカツコロッケ（メンコロ）など揚げ物とともにビールを楽しみ、高崎名産の小麦粉を使ったうどんで満腹に。番組初となる“デザートタイム”も設けられ、高崎産フルーツをふんだんに使用したパフェやパンケーキで締めくくられる。

简介：

　　一个女演员想永葆青春，于是便亲身试验了一种号称能抗衰老的液体，结果青
　　春非但没保住，那致命的副作用反而使她变成了可怖的怪物……
　　----------zombiehunter

简介：

　　陈大文（梁朝伟 饰）有一名拍拖十年之久的女友（刘锦玲 饰），两人将近结婚。他与好友程仁（梁家辉 饰）、毛周朱（郑丹瑞 饰）住在一起。每个晚上程仁都会带不同女生回家，毛周朱则胆小如鼠，不敢与女性交往。
　　他们三人都面临感情问题。陈大文认识了公关小姐阿cat（柏安妮 饰），因为不敢跟女友坦白，所以选择一脚踏两船。程仁本来有个固定女友惠芳（袁咏仪 饰），容忍了他的风流不羁已久，终于惠芳决定要远嫁美国去。至于毛周朱认识了一位男性朋友（周文健 饰）才发现自己是一名同性恋者。
　　惠芳提出分手，程仁才发现自己一直在乎她。因为程仁一时糊涂亲吻了陈大文的妹妹阿珠（朱茵 饰），大文盛怒与程仁大打出手……
　　饱受感情问题煎熬的众人，有能否有个美满的结果呢？

简介：

　　The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.