Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author: TimothyFarrell from Worcester, MA "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10) -from imdb
Riya在一片混沌中醒来,她惊讶的发现自己的同伴Kevin等一行人都已死亡,倒在血泊之中。Riya头痛欲裂,她根本想不起来这是怎么回事。此时,在外执行任务的Brion返回,见此情景他一边安慰Riya一边帮她治疗。从Brion口中得知这一切似乎都是Clarke因为感染了某种病毒失控导致,Riya半信半疑。渐渐地Riya记忆开始拼凑。他们这些人是地球派到KOI442星球来寻找人类移民可能性的,而在一次执行任务时发现了一个外星生命体。这个外星生命体不断扩张,吸附在队员的身体中,导致了他们死亡,而这一切只是因为Riya对这个生物体的好奇。还原真相的Riya十分痛苦,与此同时她也发现了Brion的真实面目。最终,Riya一把火将这些都烧了并且逃离了这里。
Twin babies are separated at birth. The girl grows up in a middle class environment, her brother in a street gang. Twelve years later, their paths cross again and they discover their common destiny, imposed upon them by the adults. It is the beginning of an exciting journey to the discovery of their roots and their independence, but neither of them is able to escape the past...
剧情简介: 卡夫卡是二十世纪著名的存在主义大师,本片以他为男主角,但并非一部严肃的传记片,只是以他年轻时的一段离奇遭遇,带出了一部相当别致政治惊险片。当时,卡夫卡是保险公司的一名小职员,虽已因出版《蜕变》一书而获得好评,却仍孤僻内向不跟同事来往。一天,唯一跟他来往密切的同事离奇落水死亡,其未婚妻无法接受警方是自杀的说法,乃找卡夫卡帮忙追查真相。由于他们两人都是无政府主义革命分子,该组织乃要求卡夫卡也加入组织,并帮忙撰写传单,卡夫卡拒绝所求,被卷入漩涡的中心,令他发现了可怕的真相。以《性、谎言、录影带》崛起的导演史蒂文.索达伯格将气氛拍得相当紧凑迷离,男主角杰瑞米.艾恩斯亦表演出色,将一个妄想狂的内心世界巧妙地呈现。
民国初期,相传武当山有稀世宝藏,百年轮回一次的武林盛会即将开战,各路高手齐聚道教圣地武当山争当“天下第一”,神秘女子(杨幂 饰)使绝招抢夺大会战贴加入战局,表面上以武会友,背里却为一桩家族使命,而考古教授(赵文卓 饰)带着自幼习武的女儿,为传说中的镇山之宝混入武当;一名至孝的俗家弟子(樊少皇 饰)偶然成为了武当代表,与各地武术家争夺冠军,却不知陷入自张三丰创派后武当最大的危机中……