寻人记第二季

　　势津友里（三津谷叶子 饰）和丈夫千纮（斋藤工 饰）一起来到巴厘岛，在那里，千紘的妹妹九美（杉野希妃 饰）即将分娩。因为流露出了想要一直呆在这里的意愿，友里和千紘之间产生了激烈的争吵，愤怒之中，友里独自跑开，人生地不熟的她在稻田里迷了路。
　　友里邂逅了陌生男子木村，在木村的建议下，两人来到了一间夜总会中，这里狂乱躁动的气息渐渐感染了友里，友里抛开了不愉快的回忆，彻底沉浸在音乐之中。男妓维恩（Cornelio Sunny 饰）被友里的肆意姿态所吸引，但谨慎的友里避开了他。之后，友里意外目睹了木村和当地男子伊克（Hayate Matsuzaki 饰）之间的火爆场面，与此同时，维恩亦来到了友里的身后。

　　宋巳州（张捷 饰）天生秉赋音乐细胞，刚刚十九岁就被冠以天才的大提琴手和明日之星称谓。小郁（李路加 饰）则是个天生的舞者，她与巳州同庚，现正运作着出国留学的梦想。俩人为一首不知名的乐曲碰撞在一起，交织出炫目的生命乐章。在一个偶然的机会，小郁聆听了巳州小时候录制的乐曲，她深受感动，从此成了巳州忠实的粉丝，她用优美的舞姿撩动着旺盛的青春，同时也撩开了巳州尘封已久的心扉。父亲（高捷 饰）望子成龙心切，当他发现儿子与小郁有恋爱的苗头时，决定把这种念头扼杀在萌芽之中，他积极筹办儿子的复出音乐会，不让儿子分心。音乐会上，巳州因心中有爱，奏出了不同以往的奔放旋律......

　　After the murder of her two Scandinavian friends in Morocco, A Russian blogger decides to do her own justice.

　　在东京某个不起眼的魔术酒吧，从事魔术表演将近二十年的轰晴夫（大泉洋 饰）依然在底层挣扎。讷于言辞的他无法好好展示自己，看着一跃成名的后辈，晴夫心中百感交集。这一天他意外接到来自警察局的电话，原来失去联系很久的父亲在某座桥下孤独死去。站在桥下，晴夫为自己和父亲的悲惨遭遇痛哭流涕，突然从天而降的落雷击中了他。当晴夫苏醒过来时，惊讶地发现自己穿越时空来到1973年的日本。他凭借一手绝活在浅草某剧场找到表演的舞台，并且先后邂逅了美丽的女主持人花村悦子（柴崎幸 饰）以及他那不成器的父亲轰正太郎（剧团一人 饰）。晴夫和正太郎组成表演搭档意外受欢迎，而他也终于知晓了关于母亲的过去……
　　本片由剧团一人根据自己的小说改编而成。

　　刚刚结束监狱生活的本（保罗·沃克 Paul Walker 饰）回到了妻子和女儿的身边，长久的分别让他明白了什么才是生命中最重要的东西，在下半生中，本决定要永远的陪伴在妻女身边。由于坐牢的经历被揭发，本失去了工作，一时间，全家失去了最大的经济来源。本的弟弟告诉本，有一桩生意可以带来一笔巨大的财富，可是这笔生意是违法的，迫于生计，本再度走上了犯罪的道路。没想到，本来万全的计划失败了，弟弟当场死亡而本也被判了死刑。
　　镜头一转，本正在前往天使岗的路上，在那里的一家医院中，本担任着园丁的职务。不久之前的悲惨经历还历历在目，本似乎获得了第二次生命。但是，在这条生命中，本将永远的无缘再见到自己的妻女，而就在伤心的本决定离开天使港之际，一个天使出现在了他的面前。

　　张大民一家搬进了新居，房子虽说好了，可没有了往日清晨的宁静与温馨。左邻右合装修的噪音实在是令人苦不堪言。
　　乔迁新居的人们都在谈装修，大民的岳母李大妈拿出自己的全部积蓄，谁知外表憨厚的装修工头竟是个大骗子，李大妈心疼钱财卧病不起。大民只得略施小计，以自己的钱顶上，却闹得里外不是人。
　　楼上王科长家装修得豪华气派，可卫生间漏水，大民一家进卫生间就得穿雨衣。看见邻居青年把家装修得像沙漠，启发大民把自家漆成蓝色的海洋，妻子云芳有天天泡在海里的感觉。
　　儿子小树就要考高中，为了能考上重点高中，大民省吃俭用让孩子学吹小号，为的是考特长生，可999中偏偏又不招特长生了。
　　房子要装修，孩子考高中要托人，考了会计证的云芳得不到聘用，下岗的大民当了送水工，生活就是那么琐碎，那么无奈。
　　大民用自己的乐观去面对这一切，终于好人有好报，房子装修好了，云芳当上了会计，儿子的事托上了人。大民当选，当上了居委会主任，这回，他想不贫嘴都不行了，做这个工作就得贫嘴。

　　This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.
　　comments from imdb:
　　This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.
　　This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.
　　The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.
　　I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.
　　15 out of 10 and then some. 10/10
　　Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.
　　And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.
　　The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".
　　Intelligent, emotional, tragic and real, this is an absolute gem. 9/10

　　九十岁的老记者（Marco Antonio Treviño 饰）要迎来自己的寿辰，于是致电老朋友——妓院老鸨罗萨（Geraldine Chaplin 饰），要求她为自己找一个处女过夜。一位年轻的女工（Alejandra Barros 饰从此进入老人的生活，白天，她在工厂缝扣子，晚上，她穿过半个城市来到妓院，裸露睡下供老人把玩，在他面前始终昏迷不醒。老人把她叫作德尔加蒂娜，慢慢发觉自己爱上了她，在沉睡的她面前，他回忆起自己一生的所有风流荒唐，家里的洗衣妇，订过婚又被他抛弃的女孩，夜夜笙歌的妓院美景……他越来越发觉自己已经离不开德尔加蒂娜，而她在他睡着后也会偷偷观察他的一切，对他颇有好感，但是一场意外发生的凶杀案令妓院被迫关闭，德尔加蒂娜就此不见，老人开始发疯寻找……