人气作家誉田哲也原作小說<世界上最长的写真>宣布映画化,高杉真宙将主演这部青春群像剧。主人公祖父的回收店铺中发现了一个能拍摄世界上最长全景照片的相机。从那刻开始,主人公的黑白人生开始发生转。武田梨奈共演,年轻导演草野翔吾执导本片,电影将于今夏在原作小说的舞台爱知县知多半岛开拍,2018年初夏公映。
超级动画大片《Talking Head》上映两个月前,监督丸轮零突然失踪,而影片还未制作完成。制作公司“八百马力”的老板无奈只得请来“我”作为替补监督,目的只有一个:模仿失踪的监督丸轮零作品的风格,将《Talking Head》制作完成。为达成这一目的,“我”对剧组的每一个成员都进行了接触和了解,务求找准感觉。谁知就在这个过程中,剧组成员却一个接一个地离奇身亡。究竟谁是凶手?“我”能够克服重重困难将影片完成吗?
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author: TimothyFarrell from Worcester, MA "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10) -from imdb
Prehistoric sand-dwelling sharks are unleashed on the island of White Sands when an underwater earthquake cracks open a crater deep beneath the ocean surface. The most menacing beats to ever rule the waters now rule the sand; with their monster appetities they mercillessly feast on anything that crosses their path Mark Atkins directs this sci-fi 'creature feature' horror. When an underwater earthquake opens up a deep crater on the ocean floor, a prehistoric breed of lethal sand-dwelling sharks is unleashed upon the unsuspecting residents of White Sands Island.
杰西(索拉·伯奇 Thora Birch 饰)和哥哥西恩(文森特·卡塞瑟 Vincent Kartheiser 饰)是一对兄妹,他们的父亲杰克(德克·本内迪克特 Dirk Benedict 饰)在一场飞机事故之中失踪了,为了寻找父亲的下落,兄妹两人决定踏上寻父之旅。 在平日的生活里,杰西和西恩的相处并不融洽,他们身上都有彼此看不顺眼的特质,在做决定的时候也总是容易产生分歧。可是,在这趟旅途中,恶劣的生存条件让兄妹两人之间对彼此的理解渐渐加深,在一次又一次从危险之中,两个孩子终于领悟了唯有互相合作扶持才能够活下去的真谛。途中,两人还意外的救下了一只北极熊宝宝,它的母亲被邪恶的猎人派瑞(查尔登·海斯顿 Charlton Heston 饰)残忍的杀死了。
比尔(布鲁斯·威利斯 Bruce Willis 饰)是一名心理医生,这个特殊的职业让他接触过许多精神抑郁生活压抑的病人,他们的压力在无形之中也转嫁到了比尔的身上,终于,当病人蜜雪儿(Kathleen Wilhoite 饰)在比尔眼前坠楼身亡后,比尔意识到,休息的时间到了。 沮丧的比尔决定去找老友鲍勃(斯科特·巴库拉 Scott Bakula 饰)叙叙旧,不幸的是,在两人见面后没多久,鲍勃便被某个凶徒残忍的谋杀了,丝状可怖。为了查明老友死亡的真相,比尔展开了缜密的调查,在此过程中,一个名叫罗丝(珍·玛奇 Jane March 饰)的神秘女子浮出了水面,然而比尔不知道的是,当他逐步接近真相的同时,危险也在接近着他。
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两个来自北京和上海的女孩,带着自己的过去相遇在318号公路,一起骑行、各自找寻、重新迷失、又再次自我救赎。经历不一样的人和事后如何面对生活、理解生命的故事。
乡下城镇的两个异性恋老伙计不得不去学习如何成为一对恩爱的同性恋夫妇,以便利用新出台的法律获得免税,被折腾的够呛。而当税务督察员前来核实他俩的真实性时,一场场闹剧又接踵而来。