每天爱你8小时（粤语）

　　影片讲述刚归来的吴魏，刘骁等人深感责任重大，带领临时成立的特别行动小组，潜入百名暴徒聚集点展开一场悬殊之战的故事。

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

 40岁的离婚男人陆武桥的弟弟被捕，他把弟弟保释出来后痛打一顿。姐姐又向他哭诉要离婚的事，最后决定出国

　　《木偶》讲述了一个治疗师的故事，当一个十岁的男孩声称他可以控制她的未来时，她失去了对现实的把握。

　　一个意大利男孩和中国女孩相恋，由此引发了两个种族的悲剧冲突，一场现代版的罗密欧和朱丽叶的故事在纽约由此上演。