数学漫步之旅第二季
9.0 |09月18日 |已完结
简介:

 这系列节目并非以学校教学的方式讲解数学,而是将其展现为存在于我们文化、思维和日常生活中的、神秘的人类心灵构造!引领我们去探索新的领域、了解令人兴奋的故事和认识伟大的数学家。

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简介:

  Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
  Author: TimothyFarrell from Worcester, MA
  "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
  The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
  -from imdb

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简介:  American Charlotte Dobler is a master chocolatier in Vienna, she having taken over historic Dobler Chocolates from her now deceased grandmother. She is facing an eviction of sorts from that historic site in a buyout from Danube Developments who has a redevelopment project under works. Charlotte is the only property owner holdout in not selling in honor of that history. In an appeal to city hall, Charlotte can't prove her stance that it is eligible to be designated a protected historical landmark, i.e. a building at least one hundred years old, as she only has the stories told to her by her grandmother, with records of such seemingly all destroyed during the war. Danube's assertion is that the site was probably redeveloped postwar. Charlotte's fallback is preparing for the annual Vienna Chocolatier of the Year competition, she one of the three finalists. She figures winning such would bring profile to her and the shop, Danube who would not dare to be seen as the bad guy in placing pressure on the winner to vacate against her will. In a worse case scenario, Charlotte believes she may have to move back to the States and revert back to her former law career. Through this process, she meets Henry Broadbent, the new CEO of what was his father's development business, Eurostar, and a philanthropist. As a bond forms between the two, Henry learns that the company placing pressure on her to sell is Danube. The issue is that Henry's father, Gordon Broadbent, in one of his last acts as Eurostar CEO, acquired Danube specifically because of this redevelopment on the Dobler site. Henry has to decide what to do as Eurostar CEO while wanting to continue that burgeoning romantic relationship with Charlotte.
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