我们的故宫
5.0 |2026年01月22日 |全8集
简介:

  2025年故宫博物院迎来建院百年,本片通过新华社记者张扬的视角,记录这座从帝王宫殿走向人民博物馆的紫禁城在百年节点上的全新面貌:镜头见证数字技术让文物跨越宫墙栖身方寸屏幕,追踪文物修复师在科技与传承间延续文明血脉,追寻一代代故宫人从守护宫殿到重塑文化价值的思考轨迹,展现故宫IP以多元姿态焕发新生机的当代实践。这不仅是⼀场百年庆典的序幕,更是⼀场关于⽂明守护、价值重⽣与未来连接的深刻对话。

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狂野街头
45
3.0
HD中字
狂野街头
3.0
更新时间:2026年01月22日
主演:谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯
简介:

  Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
  Author: TimothyFarrell from Worcester, MA
  "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
  The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
  -from imdb

1179
1968
狂野街头
主演:谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯
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