卫士

　　Cynthia and Mary show up to collect Cynthia's inheritance from her deceased grandfather, the only item she's received is an antique sword that was believed by her grandfather to be proof that the South won the Civil War.

　　改编自Nancy Doyne的小说。讲述一对夫妻去做婚姻咨询，咨询师朱迪·斯莫尔虽然看着很可靠，但心怀黑暗和矛盾，她操纵了夫妻俩，导致两人产生矛盾，婚姻濒临破裂。夏希饰演Annabelle，夫妻中的丈夫Bob的会计同事，离异、举止挑逗。

　　12岁的小男孩特桑纳（乌洛斯•米洛瓦诺维奇 Uros Milovanovic 饰）和酷爱发明创造的爷爷（亚力克斯桑德•贝奇科 Aleksandar Bercek 饰）生活在贝尔格莱德一个偏远的田园乡村中。
　　某天，爷爷将特桑纳叫到身边，希望孙子在他死之前完成三个愿望：1）去城里将家中的奶牛切维特卡卖掉；2）用得来的钱买一幅圣尼古拉的画像；3）娶回一个妻子。懵懵懂懂又土了土气的特桑纳就这样进城了。他先是被坏蛋抢走奶牛，接着又邂逅了美丽的女中学生嘉斯娜（玛利亚•佩托尼杰维奇 Marija Petronijevic 饰）。在爷爷朋友的两个孙子的帮助下，特桑纳抢回奶牛买到了圣像，于是他决定娶嘉斯娜为妻。却因此卷入一场与黑帮的大混战中去……

　　民国时期，凤九（祁圣翰饰）师父“鬼手陈”被卷入巨额黄金案，幕后主谋赵千里将其杀害后逃亡。十年后，赵千里（祁圣翰饰）再次现身上海滩，千门后人凤九联合巡捕房吴督察（张晞临饰）、铭辰（高铭辰饰），三位职业老千：熊泰（杜奕衡饰）、李初冬（方楚彤饰）、王天培（摩西饰）。以及秦冬阁（王闯饰）、崔记者（卢卓饰），一起为凤九师父报仇。为引出赵千里，凤九等人层层设局，然而真相也拨开云雾愈渐清晰，一颗被利用的棋子，永远无法看清全局。

　　一场赌局改变了几个人的命运，赌神在一夜之间消失的无影无踪，而这场赌上一切的决斗也成为了禁忌。二十年后，赌神之子在三个混混的抚养下长大成人，生活虽不富裕，平淡中也充满乐趣。明明拥有可以静止时空的超能力，但偏偏对一个女人无效，这令他头痛不已。一次偶然，他的身份暴露，随之而来的则是无尽的麻烦，而赌王的出现也令他的生活变得丰富多彩，每天的日子变成了学学赌术，撩撩妹子。但是仇恨并不会随着时间的流逝而消散，赌神的回归让所有人为之一震，可彼时的他已不再是当年那个注重情义的汉子，赌神之子也陷入混乱，他无法确信谁才是正确的。当所有人齐聚赌桌，当二十年的恩怨全部爆发，当预知未来碰上时空逆转，输赢，就在一念之间

　　社工艾米丽·詹金斯（芮妮·齐薇格 Renée Zellweger 饰）做着单调、繁冗的工作，她每天要和不同的家庭打交道，处理他们的子女教育问题，结果得到的抱怨远远多于感谢。原本的38宗案件已经不堪重负，上司又将第39号案件安排给她。迫于责任，疲惫的艾米丽依旧驱车前往小女孩莉莉·沙利文（祖蒂·弗兰 Jodelle Ferland 饰）的家中。一如既往，艾米丽受到不友好地对待，在此之外，这个家庭的怪异气氛又让她倍感焦虑。有感于莉莉的孤独和无助，艾米丽更为主动地参与到这个案件中来。在一个残酷的虐待之夜，她和同事从莉莉的父母手中将小女孩成功解救。
　　一切似乎告一段落，一切又似乎刚刚开始……

　　本片描写在国家应急管理部领导下，大应急转型为主线。一位母亲的家国情怀，爱子江山子承父业，通过严格的军事训练，执行各种抢险救援任务，赴汤蹈火，用汗水谱写忠诚，舍生忘死，用奉献诠释青春，竭诚为民的感人故事。

　　Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

　　广濑铃日前确定将主演改编自福井县立商业高中啦啦队部在全美大赛获得优胜的真实故事的电影《Cheer☆Dance 女高中生用啦啦队舞蹈征服全美的真是故事》，为成功出演电影中的啦啦队员，广濑铃已接受了近半年的特训。
　　广濑铃新片改编自2009年发生在福井商业高中的真实故事，描绘一群女高中生从零开始，最终在全美啦啦队舞蹈大赛高中表演部门获得综合冠军的剧情基本上依照真实故事的轨迹进行，广濑铃饰演的主人公个性天真烂漫，希望为足球部自己暗恋的男生应援而加入了啦啦队部，此后接受了顾问女老师意外的严厉特训，最终成为啦啦队center，与队伍中的小伙伴一起获得冠军。为成功出演啦啦队员，广濑铃从去年12月开始便进行啦啦队特训，训练时间最长的一天有6小时都花在练习中，虽然没有跳舞经验，但广濑铃运动神经出众，在福井商业高中啦啦队教练前田千代的帮助下，很快找到了要领。被请来做执导的2009年获胜成员也对广濑铃的表现赞不绝口。在拍摄最后剧组预定前往美国拍摄外景，与真正全美最强的队伍对决，为了展现特训成果，广濑铃表示希望自己看起来能够像真正接受过啦啦队训练的成员一样，在全力比赛的同时也不会忘记啦啦队舞蹈本身是件开心的事。
　　《Cheer☆Dance》目前已经确定将在2017年正式上映与观众见面，导演由河合勇人担任，制作人平野隆表示，广濑铃的笑容和跃动感最为符合角色，希望看了她在片中的表演观众都能够得到鼓舞。