黎明之前
10.0 |03月17日 |知名作家的流亡之旅
简介:

  影片讲述了著名奥地利作家斯蒂芬·茨威格遭纳粹驱逐后在纽约、巴西等地的流亡之旅。茨威格出身富裕犹太家庭,在三十岁时就已然成为了赫赫有名的文学大师,作品远销海内外。但继纳粹上台后,书作先后在德国、奥地利被禁,他也踏上了流亡之旅,最后客死他乡。茨威格一生写过、同情过许多人的不幸遭遇,他的不幸遭遇自然也得到了人们的同情。

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混世魔王樊瑞
61
8.0
无厘头古装搞笑电影
混世魔王樊瑞
8.0
更新时间:03月17日
主演:卢海华,张建海,于鸿洲
简介:

  朝廷寻宝队押元祐党人前往徐州境内寻元祐党宝藏,芒砀山寨主樊瑞探得这一消息,派人去劫寻宝队准备携藏宝图作为见面礼投奔梁山,而公孙胜也奉梁山之命前来解救元祐党义士,当他赶来之时,寻宝队已被樊瑞抢先劫走押回了山寨,樊瑞见是梁山好汉不禁大喜,于是向公孙胜献出截获的藏宝图以表投奔之心,不想公孙胜打开藏宝图一看却发现宝图是假的。梁山众好汉逼樊瑞交出元祐党义士,樊瑞恼羞成怒和梁山打了起来,最后公孙胜设下石头阵将其擒住,公孙胜拷问寻宝队才知这里根本就没有元祐党义士,他们竟是被人雇佣的。
  原来真正的寻宝队早被知府侯占灭口,并已派出手下秘密按藏宝图前去寻宝,元祐党义士也遭囚禁,给芒砀山放出消息的也正是侯占,他精心预谋让樊瑞来当这件事的替罪羊,为挖开藏宝地点的山洞,侯占又故弄玄虚弄走一队囚犯并嫁祸给了樊瑞。
  公孙胜分析整件事情断定这是一个陷阱,樊瑞为了向梁山好汉证明自己的清白,开始调查事情真相。左御使奉命来徐州调查寻宝队失踪之事,却被侯占设计愚弄蒙蔽,认为寻宝队是被芒砀山混世魔王樊瑞所劫。公孙胜决定从左御使这里寻找元祐党义士的线索,他施计接近左御使并取得了他的信任。
  樊瑞根据一系列线索逐渐查出所有事情的幕后指使就是知府侯占,却不小心打草惊蛇,侯占设下圈套在凤仙楼宴请左御使欲引樊瑞现身来将其灭口,樊瑞中计前往,幸得公孙胜的巧妙制止樊瑞得以脱身。公孙胜探到牢房有瘟疫被封锁的消息,他与樊瑞迅速将疑点转向牢房,为了将功补过樊瑞主动请缨要求去牢房一探究竟,两人约定有情况会以信号弹联络。
  原来弄去挖宝的囚犯被落石砸死,侯占意识到藏宝地有机关,只好封闭牢房暗中向藏宝地输送人手挖宝并押元祐党人前去破解机关,混入囚犯队伍的樊瑞正被侯占手下带至宝藏地点,在这里他终于找到了元祐党义士,趁众人不注意他偷偷放出信号弹。樊瑞与侯占手下斗智斗勇,终于救下险境中的元祐党义士,但他们却遭到侯占众手下的围攻,危急时刻,梁山兵马赶到相救。
  与此同时,启程回京准备上奏的左御使被公孙胜施计留住并给以宝藏之暗示,左御使应暗示带兵来到藏宝地点,看到被绑的侯占手下,他  终于明白了整件事情都是侯占在搞鬼,将侯占等人押送京城审问。樊瑞感谢公孙胜留住左御使得以将侯占的罪行公诸于世,就拜公孙胜为师投奔梁山而去。

3472
2012
混世魔王樊瑞
主演:卢海华,张建海,于鸿洲
双面劫匪
44
10.0
巴士炼狱劫案惊天
双面劫匪
10.0
更新时间:03月17日
主演:杰弗里·迪恩·摩根,罗伯特·德尼罗,吉娜·卡拉诺,戴夫·巴蒂斯塔,丽迪雅·赫尔,摩里斯·切斯塔特,马克-保罗·戈塞拉,凯特·波茨沃斯,D·B·斯威尼,萨默尔·阿尔提丝,阿莉莎·茱莉亚·史密斯,罗茜·费尔纳,兰斯·E·尼克尔斯
简介:

  沃恩(杰弗里·迪恩·摩根 Jeffrey Dean Morgan 饰)本质上是个善良的男人,可小女儿的重病逼得他不得不成为了一名劫匪。和搭档考克斯(戴夫·巴蒂斯塔 Dave Bautista 饰)一起,两人设计从赌场大亨教皇(罗伯特·德尼罗 Robert De Niro 饰)的手中抢走了300万美元的巨款,哪知道这个看似完美无瑕的计划却在最后一步掉了链子,本应该负责接应他们的那个人临阵脱逃,导致沃恩最终劫持了一辆巴士车开始了逃往之旅。
  巴士车上搭载着的除了老人和小孩外,还有即将临盆的孕妇,开着这辆车,沃恩不仅要躲避特警克里斯(吉娜·卡拉诺 Gina Carano 饰)和她的手下们的追踪,还要对抗教皇所派出的杀手的猎杀。

3640
2015
双面劫匪
主演:杰弗里·迪恩·摩根,罗伯特·德尼罗,吉娜·卡拉诺,戴夫·巴蒂斯塔,丽迪雅·赫尔,摩里斯·切斯塔特,马克-保罗·戈塞拉,凯特·波茨沃斯,D·B·斯威尼,萨默尔·阿尔提丝,阿莉莎·茱莉亚·史密斯,罗茜·费尔纳,兰斯·E·尼克尔斯
盲目的丈夫们
49
5.0
HD中字
盲目的丈夫们
5.0
更新时间:2026年01月22日
主演:萨姆·德·格拉斯,Francelia Billington,埃里克·冯·施特罗海姆,Fay Holderness,Richard Cumming
简介:

  Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

4275
1919
盲目的丈夫们
主演:萨姆·德·格拉斯,Francelia Billington,埃里克·冯·施特罗海姆,Fay Holderness,Richard Cumming
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