协议

　　鸽子能认路回家，也有鸽子一去不返。脚环编号043的赛鸽七年前因比赛失踪，如今突然出现，勾起养鸽人家的伤痛记忆。脾气暴躁的职业赛鸽人阿钦师（游安顺 饰）沉迷赛鸽，儿子出门上学再没回来，失踪七年可申请宣告死亡，他却与妻子阿敏（杨丽音 饰）闹分歧。他们的女儿露露（李梦苡桦 饰）进入青春反叛期，只觉自己的家就是鸟笼。流浪少年小虎（胡智强 饰）闯进这一家，将要目睹一场风暴来临。新锐导演詹京霖以赛鸽喻人生，凝视社会底层，在写实之中加入魔幻时刻，揭示一个父权家庭分崩离析的过程。获得金马奖最佳剧情片。

　　高中生蒂姆被同学戴瑞克恶整关进女更衣室，却被误认为偷窥，校长趁机说服蒂姆一家收留了加拿大来的交换学生，在机场接到青春靓丽的米雪儿·杜布瓦之后，蒂姆对她一见钟情。被父母强迫送到新西兰的米雪儿对蒂姆，从一开始的误会，到慢慢了解，渐生情愫，一个学期很快过去了，米雪儿即将回国，对米雪儿一往情深的蒂姆该如何面对？

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

　　约翰（欧文·威尔逊 Owen Wilson饰）和珍妮（詹妮弗·安妮斯顿 Jennifer Aniston 饰）是一对正沉浸在幸福中的伉俪，婚后不久，他们前往佛罗里达州的西棕榈海岸的生活，并各自在新闻界找到满意的工作。按照传统的模式，这个已经步入正轨的家庭可以迎接新成员的到来了。不过约翰夫妇似乎对此尚未做好准备，在朋友萨宾斯坦（埃里克·迪恩 Eric Dane 饰）的建议下，约翰决定送给妻子一条黄色的拉布拉多犬，以此作为育儿之前的演练。这条名叫马利的小家伙就这样进入约翰的家中，它调皮捣蛋，不知疲倦，给约翰夫妇惹来不少的麻烦，却也同时成为这个家中不可或缺的一员……
　　本片根据报纸专栏作家约翰·杰罗甘（John Grogan）的畅销书《马利和我：和世界上头号捣蛋狗的幸福生活》改编，并荣获2009年百代电影电视奖最佳电影音乐奖。

　　어떠한 법도 상식도 통하지 않는
　　극악무도한 범죄자들만 모인 죽음의 제3교도소.
　　이들조차 쩔쩔매게 만든 전국구 보스 ‘이태식’이 입소하자
　　새로운 권력의 시대가 열린다.
　　머지않아 새로 부임한 교도소장 ‘조평호’는
　　피도 눈물도 없는 악독함의 끝을 보여주며
　　이태식과 비롯해 죄수들을 지독하게 옥죄기 시작하는데…

　　根据李珈西小说《经年》改编，在经年景区里，导游小依喜欢歌舞表演者云彬不敢表白，清洁工小玲爱慕的表演者清水不置可否，世界上最遥远的距离就是一个假装不知道、另一个却打死不说，汤面奶奶和雪糕奶奶是一对双胞胎，雪糕奶奶卖的“亲嘴雪糕”据说吃了会想亲嘴，有一天，景区发生了一场传染病…

　　In Cecil B. DeMille’s 1920 comedy Why Change Your Wife? Gloria Swanson (DeMille’s regular leading lady of this period) as Beth, a respectable and rather prim wife who discovers that husbands don’t necessarily want their wives to be respectable and moral. It’s not that he doesn’t love her; he just wants a little romance in his marriage, and when another woman comes along who offers him the excitement he craves, he inevitably strays. And divorce inevitable follows.
　　Beth then has a sudden revelation – maybe it’s not only true that men like shameless hussies, but maybe it’s also true that shameless hussies have quite a lot of fun. So she decides to transform herself into a sexpot.