一直奉行“独身主义”的斗蛐蛐场老板娘金四喜单身28年，却在阴差阳错中嫁给了离家出走的经坎。经家经营着鼎鼎大名的“金玉茗”，多次获得“贡茶”殊荣，嗜财如命的金四喜决定暂留经家。彼时，茶文化正值从点茶到散茶的过渡时期，废团改散后茶叶进入新的发展阶段，不仅制作方法日新月异，民众的饮茶习惯也在发生改变。近些年“金玉茗”的生意大不如前，表面风光无限的经家，早已金玉其外败絮其中，不仅“金玉茗”岌岌可危，经家人更是四分五裂。金四喜帮助经坎坐稳掌事之位，屡次帮经坎化险为夷，二人真正在内心互相认可接纳。
女明星车茂熙（高允贞 饰）与她的口译员周浩镇（金宣虎 饰）一起到世界各地拍摄一档电视节目，两人逐渐萌生情愫，但最难翻译的语言，恐怕是爱情，他们能成功传情达意吗？
该剧讲述了检察官妻子与热血刑警组成的完美拍档，携手调查各种犯罪事件的推理故事。
谢晓俊（李佳航 饰）和吴越（李晟 饰）相恋短短五个月，便决定携手步入婚姻的殿堂，他们发誓无论前方有怎样的艰难险阻，都要彼此扶持，白头到老。然而，现实却远比他们想象中要残酷的多，麻烦和误解接踵而至，父母和朋友们亦成为了埋藏在他们婚姻中的定时炸弹。经历了风风雨雨的两人还能够不忘曾经的约定，视彼此为唯一吗？ 莎莎（张宇菲 饰）是吴越的表姐，至今未嫁的她难免满腹牢骚，对爱情和婚姻充满了失望，再加上工作方面的不顺，导致莎莎经常成为谢晓俊和吴越家中的电灯泡。欧阳晨迪（郭家豪 饰）和谢晓俊相识于幼儿园，是真真正正从小玩到大的死党，耿直的他和大大咧咧的莎莎之间，又会产生怎样的故事呢？
Agatha's in need of a well-earned break and with Christmas just around the corner it looks like the perfect opportunity to relax. When she receives a letter from an old lady begging for protection, she can't help but spring into action.
Dean被该隐之印所控变为恶魔，Sam和Cas试图将他带回来，Crowley却试图拉拢他…… 本季故事由此展开
王傳松（阿松）/ 柯叔元 飾演「他一輩子守著傳統，卻在遇見她之後，發現還有更傳統的阿暖？！」雙溪知名紙藝師傅，毒舌又固執，手藝一流卻始終卡在「未出師」！與前妻維持離婚不離家的微妙關係，面對家庭與父親的偏心，習慣把情緒藏進日常。直到神秘的女子阿暖出現，打破他原本平靜卻停滯的生活…他開始思考——還能不能，再相信一次留下來的可能～
现代女孩莫安安意外穿越到千年前，与权倾朝野的楚国公萧楚相识相知，为了改变萧楚被奸人所害的命运，莫安安三次穿越，最终痛苦的发现，她对于萧楚的救赎才是两人爱而不得的痛苦根源，她与萧楚的初遇竟是萧楚同她的诀别。
This 7-year series chronicled the adventures of the Impossible Mission Taskforce (IMF), a team of government spies and specialists who were assigned "impossible missions" by the unseen "Secretary". Although the cast varied over the years, the main characters included The Team Leader (Dan Briggs the first season, then Jim Phelps the other six), The Techno-Wizard (Barney Collier), The Strongman (Willy Armitage), The Master of Disguise (first Rollin Hand, then The Amazing Paris), and The Femme Fatale (Cinnamon Carter, Casey, Dana Lambert, Mimi Davis). The series is best known for its opening mission assignment (conducted by a pre-recorded tape), the theme composed by Lalo Schifrin, the leader's selection of mission agents from a dossier, the opening briefing, the intricate use of disguises and a typical "mask pulloff" scene near the end of most episodes, and the relative lack of characterization of the characters.
