市场法则

　　苏真同父异母的姐姐苏倩死在自家浴缸里，是自杀还是他杀？
　　因喜欢苏真而不能面对这份感情的苏倩有男友刑警子聪，出现场后与苏真再次见面。
　　此时苏真已有一位男友，外资公司的一位投资人董玉峰。随着案情侦破的递进，真正的凶手居然是董玉峰。

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

　　来自拉斯维加斯的莫莉本欲跟随男友，远避赌城的遍地僵尸，前往机场逃往墨西哥，不料男人被一只游尸干掉后，又被其尾随追杀，在碧血黄沙中纠缠大半发展出畸形依赖关系，最终赐之以死——然而在机场念及尚家乡的儿子，决定回乡拯救，勇杀机场丧尸数只后回乡寻得幸存的儿子，被丧尸所围——敬请期待续集。