我爱罗兰度

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

　　杰克是个总是只差临门一脚便可能成为超级巨星的纽约演员，但他却一直碰不到好的演出机会，但当他到加勒比海某个小岛国出外景的时候，竟然被当地的警察局长给绑架了！最出乎他意料的是警察局长还给了他一个毕生难得的演出机会--扮演该国的独裁者总统，原来是因为该国总统心脏病发猝逝，为了防止大众骚动或引发革命，警察局长只好出此下策；虽然假扮总统，欺骗社会大众是一件不道德、非法、欺骗的行为，但...

　　观海苑市场的保安林家伟为救火殉职，妻子宋红霞将赔偿金用以还债后，独自承担起家庭重担。在火灾责任人杨正德坦白火灾真相后，大度地原谅了他……

　　剧情简介：
　　卡夫卡是二十世纪著名的存在主义大师，本片以他为男主角，但并非一部严肃的传记片，只是以他年轻时的一段离奇遭遇，带出了一部相当别致政治惊险片。当时，卡夫卡是保险公司的一名小职员，虽已因出版《蜕变》一书而获得好评，却仍孤僻内向不跟同事来往。一天，唯一跟他来往密切的同事离奇落水死亡，其未婚妻无法接受警方是自杀的说法，乃找卡夫卡帮忙追查真相。由于他们两人都是无政府主义革命分子，该组织乃要求卡夫卡也加入组织，并帮忙撰写传单，卡夫卡拒绝所求，被卷入漩涡的中心，令他发现了可怕的真相。以《性、谎言、录影带》崛起的导演史蒂文．索达伯格将气氛拍得相当紧凑迷离，男主角杰瑞米．艾恩斯亦表演出色，将一个妄想狂的内心世界巧妙地呈现。

　　Olivia Thirlby is the eye at the centre of a very sexy storm in this warm, hysterically funny dramedy. When her young filmmaker breezes into town, she comes riding a wave of effortless sexiness, which carries her through a net of passions-gone-wild as men queue up to fall at her feet.
　　Though the film could’ve done with more depth, it wisely plays down the angst and is content to sit back as sparks fly between its central players – including Rosemarie DeWitt and John Krasinski.