野蛮王国第一季

　　尼古拉斯·凯奇出演独立制作惊悚片《窥镜》(Looking Glass，暂译)。导演为曾拍摄多部MV及广告的多里·奥斯科维兹，编剧杰里·莱普、马修·怀尔德。一对夫妇在经历生活伤痛后买下了荒郊僻壤一处汽车旅馆，他们此举是为了探秘旅馆一个房间内发生的一系列无法解释的怪事。影片今秋开机。

　　在印度的一个中产阶级家庭中，父亲事业有成，母亲热爱跳舞，女儿为性少数群体奋斗，儿子陷入爱河，准备订婚。但在一次节日舞会上，母亲是同性恋的秘密公之于众。知道母亲秘密的一家人该何去何从？儿子的订婚宴又是否会顺利进行？微博@亿万同人字幕分享

　　Phi Am是一种恶毒又诡异的超自然灵体，深植于泰国民间传说和神话当中，并被认为是一名遭受悲惨和不公正死亡的女性复仇之魂。在泰国，小时候的姗玩了禁忌的通灵游戏，不仅失去母亲，也成为姗的童年创伤，让她持续被恶灵缠身。她因此向姐姐贝儿和灵媒蒙寻求帮助以打破诅咒。几年后，贝儿的室友阿琳因为儿子车祸过世而陷入痛苦，更时常感受到不明灵体的凝视。在贝儿的引荐下，她也找上了蒙，并发现这一切都与一名同样沉浸在噩梦当中的年轻男子阿泰有关。所有人夜不成眠，而这一切都与他们曾接触过的通灵游戏有关！他们必须与时间赛跑，以防止进一步的悲剧发生。最终他们能否驱逐灵体找到平静，还是将被游戏中的邪恶力量所吞噬呢？

　　根据水门事件揭发人Carl Bernstein和Bob Woodward所写自传改编的电影。二人是《华盛顿邮报》的记者，在水门事件里，他们历尽艰辛揭开政治黑幕，人物和事件一同成为美国一段家喻户晓的历史。故事由五名盗贼开始，他们潜入水门大度行窃。本来是一桩不甚重大的刑事案件，却在Bernstein（达斯汀·霍夫曼Dustin Hoffman 饰）和Woodward（罗伯特·雷德福Robert Redford  饰）的追查下，最终撕开了一条大裂缝，矛头直指总统尼克松。从1972年到1974年，从尼克松竞选总统到尼克松连任上台，华盛顿邮报受到的压力越来越大，甚至被威胁。主编本·布莱德利站在了新闻自由和相信自己记者的这边，Bernstein和Woodward得以继续追寻事件真相，得到了重要线人“深喉”的帮助，经历了难以想象的曲折艰辛后，水门事件最终导致尼克松总统下台。

　　海湾战争终于结束了。三个好兄弟阿奇（乔治·克鲁尼 George Clooney 饰）、特洛伊（马克·沃尔伯格 Mark Wahlberg 饰）和埃尔金（艾斯·库珀 Ice Cube 饰）准备在退役前结结实实捞上一笔，那样他们退役后就能舒舒服服地享受人生了。可不要以为他们 在异想天开，其实他们早就在伊拉克听到坊间传闻：总统萨达姆暗中收藏了一批从科威特偷来的黄金在他的秘密碉堡内。恰巧兄弟三人从伊拉克的一名战俘的屁眼处发现了一张萨达姆秘密碉堡的地图，于是三人经过准备，往夺宝之路进发……

　　陈氏集团大小姐陈雨涵因家道中落，被父亲陈志雄安排到世交好友叶翔家中暂住一段时间避风头。入住叶家的当晚，陈雨涵因男友林锦御出轨、家族企业面临的难题而借酒消愁，慢慢酒精上头。另一边，叶氏集团的少董叶辰希因在酒吧被好友宜萱萱下药，宜萱萱爱慕叶辰希已久，想要借此机会生米煮成熟饭，结果叶辰希迷迷糊糊回到家中，和喝醉的陈雨涵发生了关系。二个月后，陈雨涵不慎晕倒，此时，叶家得知陈雨涵怀上了叶辰希的孩子。
　　由于叶家一脉单传，二老强烈要求两人结婚生下孩子，迫于种种原因，叶辰希在好友韩晨阳出的“馊主意”下与陈雨涵签下“不平等”契约并结婚，而陈雨涵也为了肚子里的孩子同意与叶辰希的契约婚姻。陈雨涵和叶辰希也因此过上了一段啼笑皆非、吵吵闹闹的婚姻生活。

　　《银河守卫队》讲述了流落异星的孤儿瑞奇渴望加入银河守卫队，成为万众瞩目的超级英雄。在训练、战斗的过程中，他与机器人叮当并肩作战，共同成长，不但成功阻止了邪恶博士摧毁银河系的惊天大阴谋，而且领悟到了友谊的可贵，团结的无限能量以及英雄的真正含义。

　　Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

　　萝丝（娜奥米·沃茨 Naomi Watts 饰）是一名才华横溢的画家，虽然她拥有着价值百万美金的土地，但是却依然选择去过食不果腹居无定所的流浪生活。这样一个女人，嫁给了一个名为雷克斯（伍迪·哈里森 Woody Harrelson 饰）的男人，雷克斯比萝丝还要离谱，是一个整天酒瓶不离手的空想主义者。两人生了四个孩子珍妮特（布丽·拉尔森 Brie Larson 饰）、萝莉（萨拉·斯诺克 Sarah Snook 饰）、布兰（Josh Barclay Caras 饰）和莫林（布里盖特·伦迪-佩恩 Brigette Lundy-Paine 饰）。
　　虽然这对父母非常的不靠谱，但四个孩子们生长在如此自由的家庭氛围里，享受到了快乐的童年。可是，随着年岁的增长，这个家庭的弊端逐渐显现，孩子们很快就发现，他们必须学会互相照料。