疯癫的生物教授、身患绝症的富豪、寻找失踪亲人的冒险者、见钱眼开的亡命之徒……一群目的不同的人,组成探险队前往大西南的虫谷深处,寻找沉睡千年的古墓陵葬与传说中的虫王。面对潮涌般的毒虫蛇蝎、精密阴险的机关幻药、庞大凶猛的远古虫王……探险队在古墓之中历经重重惊险,与古滇国失落的神秘文明展开一场跨越时空的生死对抗,古滇王设下的道道迷局,让探险者们在人性与欲望之间来回争夺,虫谷秘境中的殊死之战,就此开启……
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author: TimothyFarrell from Worcester, MA "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10) -from imdb
九一八事变后,东北军军官周原带军抗日,发现日军屠村。周原在死人堆里救下猎人之女宋雪兰。10年时间,周原将宋雪兰训练成一个优秀的狙击手。宋雪兰凭借优秀的枪法,暗杀鬼子和汉奸,遭到日军的残酷围捕,周原被日军残杀。地下党康弘毅暗中帮助,使得宋雪兰逃过险境,在康弘毅的指导下,宋雪兰协助游击队对日军基地展开了袭击,报了屠村之仇,宋雪兰也加入了游击队,投身到抗日战争中去。
Pete Cozy is having trouble resolving a happy marriage and family life with rising debt and a job he hates. When his new boss, Susan, a human dynamo, shows up, Pete is pulled into the maelstrom that is her life and made to work harder than he ever has before. Suddenly, money and opportunities come his way, but at what price?
万金游(郭晋安 饰)是“雀爷”万叔(夏雨 饰)的独生子,麻雀技艺深得父亲真传,是承继父亲的赌业的好人选。一筒(元秋 饰)是万金游的干妈,一直把金游当成自己的亲儿子,疼爱有加。可是在在雀爷大寿的当晚,从拉斯维加斯回来的雀爷也带上了他的新任妻子二索(刘琸琪 饰)。金游跟一筒都觉得二索图谋不轨,原来她联手雀爷的死对头爆棚要霸占雀爷的一切产业。故意让金游认识倒霉透顶的吴靓(杨思琦 饰),使金游的牌运急速下跌,每次打牌拿的都是烂牌。幸好金游学会了乐观处事,运气刚要回来的时候,女友却被爆棚挟持……
年逾七十的作曲家汤姆·怀特曼(Francis X. McCarthy 饰)罹患癫痫和血栓痴呆,他早已分不清现实世界,更遗忘女儿杰姆(Marianne Farley 饰)的存在。他的脑海,早已退转到那个充满奇幻色彩的童年时代。记忆的最深处,生活在孤儿院的10岁少年汤姆(奎恩·罗德 Quinn Lord 饰)受到雪人的邀请,御空飞行追赶多年未曾谋面的父亲(Ilkka Villi 饰)。他们遭遇风暴,坠落在一处陌生所在,四周是回环往复的不变旋律,汤姆甚至见到了年仅7岁的杰姆(Keyanna Fielding 饰)。仿佛不曾存在过的世界,以及三代人剪不清理还乱的情感纠葛。 弥留之际的老人,灵魂困在朽败的躯体内,经历着毕生刻骨难忘的旅程……