青鸟

简介：

　　执笔《不汗党 》金民秀编剧的导演处女作《别碰脏钱》公开预告海报，电影由演员郑宇、金大明、朴炳恩主演。电影将于10月17日在韩国上映。本片也入选了#第29届釜山国际电影节#的“韩国电影的今天-特别首映”单元，将在釜山电影节上率先上映。
　　电影讲述了把搜查和收钱当副业亲如兄弟的两位刑警，遇上更巨额更危险的金钱交易而引发的事件。

简介：　　EP01 多大多远多快
EP02 排列的声音
EP03 我们在银河中的地盘
EP04 深度冻结
EP05 微观宇宙
EP06 骑着彗星
EP07 当空间改变了历史

简介：　　80年代初，仲夏的一个早晨，一伙走私犯窜入我云南边境，被我武警部队击溃。深夜，边防站李站长接到情报：黑社会走私集团又派遣了代号为"红桃皇号"的要犯在这一带活动。案情严重，武警部队进行了周密的布置。一天，一辆面包车在盘山公路上行驶，车内坐着电视剧组女导演林丽芳、随车前往探亲的青年画家莫默和中途搭车到边境打猎的姑娘索小灿。电视剧外景地选在边境76号界碑处，李站长接待了林导演，并将站内项华借给剧组饰演女主角。项华是莫默的未婚妻，莫默这次是重返旧地。十年前，莫默曾在这里插过队，并同一位名叫小琴的姑娘相爱。后来分手，小琴到异国当了修女。从此，小琴经常往返于两国之间进行宗教活动。一天清晨，莫默在野外作画，恰遇修女小琴，莫默请她原谅自己的过失，并托她将一幅《天堂之路》的油画带给神父，以表对主的忏悔。林丽芳和索小灿同往一座傣家竹楼，她们成了好朋友，不过索小灿整日神出鬼没、东游西逛，引起了武警战士的注意。在电视剧开拍的日子，武警在76号界碑上获得了"赶街日，伯爵到" 的重要情报。热闹的街市上，一个西装革履，手持拐杖的小胡子商人在人群中穿梭，他环顾四周，转到一座石山后面，当他正接受两个走私犯递交的货物时，被我武警战士当场抓获。这个小胡子商人原来是林丽芳装扮的。关押林丽芳的小屋里，出现了全副武装的索小灿，林丽芳大为震惊。原来，索小灿是总部派来协助破案并与李站长单线联系的武警调研员。林丽芳供认自己是"伯爵"不是"皇后"。"皇后"还在活动。站长和小灿紧密配合，终于在《天堂之路》的题诗中破译出黑社会的行动计划。莫默原形毕露，决定潜逃，他顽固地拒绝了项华的劝阻，直向边境冲去。正义的修女拦住他的去路，莫默陷入了武警战士的包围之中，"红桃皇后"终于被我边防战士击毙。

简介：台湾千术大师泰斗在与香港千王黄上千（黄百鸣 饰）一战中落败，从此与黄上千结下了仇怨。黄上千的徒弟阿伟（梁朝伟 饰）一日结识了从新加坡返港的寡妇苏茜，以为能从中大捞一笔，于是伙同任公子（任达华 饰）和师姐大波媚（叶子楣 饰）设局。岂料苏茜其实也是一个老千，阿伟他们不仅没能打捞一笔，反而落得一身债务。无奈之下阿伟只好请师傅黄大千出马，黄大千赢回了苏茜手上阿伟的签单后，与苏茜握手言和，并敲定一起合作对付奸商龙在天。他们轻而易举的把龙在天的两百万搞到了，龙在天不甘心就此被骗，于是请泰斗再次出战……

简介：

　　He is 30 and just got out of jail after 12 years of detention. She is almost 24 and has a simple life away from the city. One day, he comes to her and she let him stay with her. That's complicated when your older brother needs to get back to a normal life. Between tenderness and bursts of laughter, his anger is sometimes out of control. However, she wants to help him. As for him, he wants to meets with his sister again.

简介：

　　忽如其来的火山云遮蔽了天空，所有的航班被迫停飞。短暂的驻留让搭乘同一架航班的语言不同的陌 生人走到了一起，发生了短暂的感情……

简介：　　该纪录片不仅是当下最火爆的海鲜美食地图，更是一部现代版的海错图，每一集紧张刺激犹如谍战大片的节奏和形式，简直就是海鲜版007。

简介：故事的主角是一位勇敢的记者佛莱契，他从婶婶那继承了80英亩的路易斯安娜种植园美女岛，从而开始了他的历险，麻烦始于一位可爱的女代理人神秘死亡，他的一位邻居律师警告他离开小镇，而有个机构则不停的给他提供不能拒绝的出价。

简介：

　　Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

简介：四位年轻电影制作人争分夺秒，力求在夏末前完成一部短片的拍摄。拍摄过程中困难重重，其中最诡异的莫过于一场超自然性质的阴谋。

简介：

　　1935年，中央红军突破湘江后，挥师贵州，攻占遵义，决定在遵义召开扩大会议（遵义会议），蒋介石严令国民党中央军及四川军阀部队进攻黔北。为了保证扩大会议的顺利召开，红军在遵义周边组织多处防线阻击国民党中央军。红军红一师红二团奉命进驻綦江羊角一线警戒四川军阀部队，并击毙了川军的先头部队，随后派出一支精悍的小分队，尾随溃军进至观音桥、丹溪一带，进行侦察、袭扰，造成红军进攻重庆之声势，以此阻滞川军向黔北进发。

简介：

　　《愿无岁月》这部电影讲述了梦想成为长跑冠军的陈武（李岷城 是），在失去父亲之后和妹妹变得无依无靠。父亲老友李建国得知后带兄妹二人回了老家，妹妹升学受到阻挠，兄妹俩在村里也常常受当地小混混的欺负。在这种艰难的环境下，陈武却意外收获了爱情，然而他能否突破重重阻碍，重拾理想呢？这部影片带领观众回首往昔，也许有过痛苦，也许充满欢乐，正是曾经的经历造就了今天的我们，《愿无岁月》是一部关于回忆，关于梦想，关于未来的影片。