即刻归线

　　俊明是位作家，除了寫作，還喜歡攝影，為了治療風濕痛的腿，在他個人的環島畢業旅行中，順路到北投一趟。俊明在一家旅館內結識了一名服務生明芬，兩人情投意合，相處得極為融洽。後來俊明才知道明芬有一個雙胞姐姐明惠，明惠端莊賢淑，具有中國的傳統美德，明芬俏麗活潑，惹人憐愛，明芬原本有個丈夫家祥，但家祥體弱多病，為了不連累明芬，明惠乃代替明芬，長期的照顧家祥。

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

　　Fact-based story about a 1975 cover-up of a shooting by two white members of the Boston Tactical Unit. While on stakeout on a suspected getaway car used in a armed robbery, the two gunned down a black man who entered the car. The two claimed the man had a gun and they shot in self-defense. Police investigation decided it was a rightful shooting. The man"s widow knew her husband would not be carrying a weapon and became determined to prove her husband"s innocence. She hired a former cop who h...@m.yakutv.cc

　　在一个演员家庭中，大姐汉娜（米亚·法罗 Mia Farrow 饰）的丈夫——经济人埃利奥特（迈克尔·凯恩 Michael Caine 饰）正为小姨子莉（芭芭拉·赫希 Barbara Hershey 饰）神魂颠倒。二姐霍莉（黛安娜·维斯特 Dianne Wiest 饰）戒 掉了毒品，如今为经济拮据苦恼正考虑赚钱的生意，而汉娜的前夫——电视台编导米基（伍迪·艾伦 Woody Allen 饰）终日幻觉自己得了脑肿瘤，四处求医痛苦不堪。小妹莉与孤僻的画家情人弗雷德里克（马克斯·冯·西多 Max von Sydow 饰）相处，是后者唯一的倾诉对象。埃利奥特难耐情欲，终于与莉发生了关系，霍莉在一连串打击后意外的获得了事业和爱情的拯救……围绕在这个演员家庭周围的所有人，经历着情感和事业的重新洗牌。

　　两个来自北京和上海的女孩，带着自己的过去相遇在318号公路，一起骑行、各自找寻、重新迷失、又再次自我救赎。经历不一样的人和事后如何面对生活、理解生命的故事。

　　科里·迈克尔·史密斯、迈克尔·切克利斯(《哥谭镇》)以及维吉妮娅·马德森(《指定幸存者》)将加盟一部艾滋病题材的独立剧情片[1985]。影片由华裔导演陈俊彦([你好、再见 ]、[人来，人往])自编自导，故事讲述史密斯饰演的艾滋病晚期患者在弥留之际，决定搬回老家德克萨斯，向保守的父母坦白自己的境遇。