风月
5.0 |03月17日 01:07 |HD国语
简介:

  父母双亡的忠良(张国荣)投靠嫁入庞家的姐姐秀仪(何赛飞)时,处处受到姐夫的挤兑和侮辱,一怒之下用鸦片毒废了姐夫,逃到上海后,阴差阳错投入黑帮头目大大门下,成为利用色相勾引富家太太上钩再勒索其钱财的“拆白党”。
  庞府老爷死后,大小姐如意(巩俐)被立为主事,为骗庞家财产,大大命忠良回到庞府引诱如意,岂料两人日久生出真情,不忍再欺骗如意的忠良独身返回上海,而如意也被大大接到上海,眼见了忠良所从事的“拆白党”勾当,心生死灰。

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更新时间:2026年01月22日
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简介:

  The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

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失踪孩子的回家情感路
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更新时间:03月17日 00:45
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简介:贝丝是三个孩子的妈妈,在照顾家庭之外,她还是一个非常成功的摄影师。这天,贝丝带著三个孩子文森特、本和凯茵一同前往芝加哥参加第十五届高中同学聚会。在饭店拥挤的大厅里,贝丝才走开一会儿就发现三岁的儿子本却不见了。警局派来高级侦探默利斯女士负责此案,但本却像消失在空气中一样,怎么都找不着。本的失踪,使贝丝陷入绝望,终日昏睡,她与丈夫派特之间的关系也愈趋紧张。  时光飞逝,一晃九年的时间过去了。派特在芝加哥开了一家餐馆,全家人也一起搬了过来。一天,一个叫山姆的男孩为了替贝丝家修理后院草坪来敲门,山姆的脸型和警方所做的"本12岁预测图"完全一样。原来,山姆真的就是九年前失踪的本。在默利斯侦探的鼎力协助下,本终于回到了贝丝身边,一家得以团聚。贝丝原本以为本回来之后一家的感情将会更加和睦,但不久就发现,本却一直想念着养父乔治。因为对失踪前的家庭生活毫无印象,而且与文森特几乎处不来,本对贝丝一家的抗拒越来越明显,这使贝丝顿时陷入两难的境地。为了孩子的快乐,贝丝和派特还是把本送还给了乔治。
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