影片是根据原田真人担当导演编剧的电影《盗写 1/250秒》为原作改编，讲述了昔日小报记者都城静（福山雅治饰）目前担当八卦专门杂志的狗仔，在沉迷于酒精赌博中混混度日的他因一件小事和被分配到同部门的新人记者行川野火（二阶堂富美饰）一起成为搭档。二人在捕获到独家新闻之后，引起一场更大事件的发生。
主角廖不凡在世人眼中，是个谁见谁倒霉的扫把星，也在魔陀转世的语言中挣扎。为了改变命运，他到蜀山拜师修行，与师兄弟，最终得到他人的认同与帮助，实现了自我价值与理想。廖不凡不是个幽默的人，但他经常以一副嬉皮笑脸的面容面对世界，但是有时候他是以笑容掩饰内心的焦虑，不让别人为他担心。对于外人而言，他是个随遇而安的人，但身边的人往往能看出他埋藏在心中的忧虑，看似莽撞的他同时也很理智，明白正确的道路不是一条轻松的路，行走在这条路上将会遭遇无数艰难险阻。女主角玲珑拒绝道听途说相信亲眼所见，正是她的爱意才让廖更加相信自己的选择，没有背道而驰。
乡镇开锁小伙寒风和发小军哥背井离乡去城里打工挣钱，本以为这是新的人生，却没想到是自认最亲的哥哥所设计的圈套。淳朴农村小伙的善良与重情重义被利用，内心在良知面前摇摆不定，逐渐踏上了几乎无可回头之路，在迷失良心之际，亲眼看到所爱之人被伤害才顿感觉悟，通过艰难抉择最终迷途知返，完成了自我救赎。
该片讲述了一个因污染而导致蜘蛛变异，大自然对人们进行惩罚的故事。 工厂为了减少排污费用，偷偷将废料埋在深山里，却不知因为泄漏造成附近的蜘蛛变异。一天，工厂的工人正在将废料堆在地上，企业家看了现场后离开，就在工人挖坑埋掉废料桶时，却意外频发，一开始都只是虚惊一场。但是突然窜出了一只因长期废料变异的巨大的蜘蛛，和密密麻麻的小蜘蛛。
约翰·库萨克在预告片结尾短暂亮相，他正是那位隐藏在黑暗中，威胁钢琴家生命安全的凶手，库萨克与伊利亚·伍德之间也有一场精彩的演技角力。故事主人公是由伊利亚·伍德饰演的钢琴演奏家，他被认为是当今世界上最有前途的天才演奏家。五年前，他出了一次严重的舞台事故，之后便隐退了。故事发生的那一天，他为了纪念去世的恩师而再次登上舞台，旁人安慰的话语并无法减轻他内心紧张的情绪。他担心在舞台上会再有意外发生......
《热点周刊》实习记者“白雪”暗访乞丐期间，巧遇一个重金助人的神秘乞丐——“秦军” 暗访过程中，白雪发现秦军只要饭不要钱，行为举指极其异常。而后白雪一路跟踪秦军来到一个名叫“何家村”的地方，面对亲友们的冷嘲热讽，秦军更是视若无睹。为此，白雪深感好奇，然而，正当她想现身采访秦军的时候，却发现秦军早已离开村庄。 带着疑惑，经过一番明查暗访，白雪发现秦军的真实身份竟然是一家集团公司总裁，他为什么要伪装乞丐？为什么刚刚回到家乡便默默离开？亲友得知他的真实身份之后会是什么反应？让我们拭目以待…… 在《微电影版裸归》中，离乡五年、身价上亿的集团老总“秦军”故意装成一名乞丐回到故乡，曾经整日围绕身边的亲友们看到他的样子，无不对其冷嘲热讽。而当大家了解了他的真实身份之后，又全都变得热情亲近。面对这种虚假的情感，秦军深感痛心，暗叹：当你荣华的时候，聚在你身边的并非全是假士 、但当你困苦的时候，留在你身边的一定是真人！ 较之微电影版，电影版的故事情节、人物关系更加丰满、深刻，不仅交待了秦军为何五年时间杳无音讯的原由，同时还添加了秦军少年时期的成长经历。
2004年4月26日、TBS系列「月曜ミステリー劇場」にて放送。横溝正史原作の金田一耕助シリーズをドラマ化したもので、主役の金田一耕助役は古谷一行が演じる。
Stuart Gordon, considered a master of the horror genre thanks to classics like Re-Animator and Dagon, decides to do a different move in this strange trip to human morals. "King of the Ants" is about a regular guy, Sean Crawley(newcomer Chris McKenna), a man without any aspiration who just live in his apartment doing the necessary job to live to the next day. In one of his jobs he meets Duke(Gearge Wendt), who introduces Sean to his boss, Ray Matthews(played by Daniel Baldwin). Ray hires Sean as a spy, and orders him to follow Eric Gatlin(Roy Livingstone), an accountant who has been investigating Ray's company. Problems start when Ray, while drunk, orders Sean to kill Eric. And he does it. Things go wrong when Ray decides to make Sean disappear destroying his mind with violent punishment and humiliation. From the point where Sean kills Eric, we go in the same boat with him, as he goes through a downward spiral of human degradation, traveling from guilt, to confusion and finally to his rebirth, in a state where humanity, morals and values are not important anymore. Chris McKenna acting is very important because he manages to be likable even when he is part of gruesome acts, both as victim and/or criminal. He has that look of innocence that hides a dark side and he manages to carry the film. The support cast also includes Kari Wuhrer, as Eric's widow who also becomes a central part of Sean's trip to hell. She gives a fine performance, although it's obvious that Sean is the main character. He is the most developed of all and McKenna's performance is up to the challenge. The film has very disturbing images of violence, and while it may not be as graphic as "Kill Bill" for example, the strength of the violence is in the lack of humanity that the character manifest. He is more than an ant in this world. He is the king. Stuart Gordon has managed to create a film that, while maybe it's not one of his best efforts; it's very well done, has a VERY interesting story to tell, and manages to capture the attention every second of it.
