南京!南京!
6.0 |03月17日 |陆川执导抗日战争片
简介:

  1937年12月13日,时为国民政府首都的南京城沦陷,部分官员弃城逃亡,但仍有许多官兵留守,誓死保卫这个大厦将倾的城池。
  宋锡濂部军官陆剑雄(刘烨 饰)协同战友与日军展开了激烈的巷战,他们微弱而顽强的抵抗最终被压制,数以万计的中国军民成为俘虏,在枪炮声中血染长江;金陵女子学院安全区,女教师姜淑云(高圆圆 饰)奔波往复,尽力帮助和拯救所有来此避难的同胞,但兽性大发的日军早已虎视眈眈盯上了藏身于此的妇女;拉贝的秘书唐先生(范伟 饰)小心应付,委曲求全,为了保护家人而做出错误的选择,他也为此付出代价;舞女小江(江一燕 饰)纵使逃亡避难也不愿抛却女性的柔媚,她在关键时刻的选择则在其女性的外壳下注入一份刚强;日本人角川(中泉英雄 饰)随部队进驻这个千疮百孔、破败不堪的城池,在这个人间炼狱,他的心灵感受到前所未有的巨大冲击。
  狼烟滚滚,血流成河,大时代的背景下,人们既要承受时代的无情给予,也要做出攸关命运的痛苦抉择……

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游戏之夜
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更新时间:03月17日
主演:杰森·贝特曼,瑞秋·麦克亚当斯,凯尔·钱德勒,莎朗·豪根,比利·马格努森,拉蒙尼·莫里斯,凯莉·班伯里,杰西·普莱蒙,迈克尔·C·豪尔,丹尼·赫斯顿,切尔西·帕瑞蒂,卡米利·陈,泽瑞克·威廉姆斯,约书亚·米克尔,R·F·戴利,约翰·弗朗西斯·戴利,迈克尔·西里尔·克赖顿,布鲁克·杰伊·泰勒,乔纳森·戈德斯坦,娜塔莎皓尔,凯碧·伯德斯,斯蒂夫·维亭,奥利维亚,罗宾·戴克,雷纳·加拉赫,柯蒂斯·莱昂斯,格雷丝·万,玛丽亚·Z·威尔逊,杰弗里·怀特,迈克尔·大卫·育尔
简介:

  马克思(贝特曼饰)的兄弟布鲁克斯(钱德勒饰)筹划“谋杀”派对后却遭绑架,马克思、安妮(麦克亚当斯饰)以为这只是一场游戏,但显然他们已陷入困境。

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游戏之夜
主演:杰森·贝特曼,瑞秋·麦克亚当斯,凯尔·钱德勒,莎朗·豪根,比利·马格努森,拉蒙尼·莫里斯,凯莉·班伯里,杰西·普莱蒙,迈克尔·C·豪尔,丹尼·赫斯顿,切尔西·帕瑞蒂,卡米利·陈,泽瑞克·威廉姆斯,约书亚·米克尔,R·F·戴利,约翰·弗朗西斯·戴利,迈克尔·西里尔·克赖顿,布鲁克·杰伊·泰勒,乔纳森·戈德斯坦,娜塔莎皓尔,凯碧·伯德斯,斯蒂夫·维亭,奥利维亚,罗宾·戴克,雷纳·加拉赫,柯蒂斯·莱昂斯,格雷丝·万,玛丽亚·Z·威尔逊,杰弗里·怀特,迈克尔·大卫·育尔
夜色人生
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4.0
美国同名小说改编
夜色人生
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更新时间:03月16日
主演:本·阿弗莱克,艾丽·范宁,雷莫·吉罗内,布莱丹·格里森,罗伯特·格林尼斯特,马修·马希尔,克里斯·梅西纳,西耶娜·米勒,佐伊·索尔达娜,克里斯·库珀,提图斯·维里沃,马克斯·凯塞拉,克里斯蒂安·克莱门松,J·D·埃弗摩尔
简介:

  《以夜为生》(Live By Night)根据美国当代著名作家丹尼斯·勒翰(Dennis Lehane)2012年同名小说改编,故事设定在上世纪20、30年代,讲述了一个出身于警察世家的年轻人乔·考夫林(Joe Coughlin)加入黑帮、越陷越深、走上不归路的故事。该书是丹尼斯·勒翰2008年小说《命运之日》(The Given Day)的续篇,共分三部:第一部“波士顿”讲述乔初入黑帮,爱上黑帮老大亚伯·怀特的情妇,结果入狱,成为狱中黑老大马索的心腹;第二部“伊波”讲述乔出狱后,与马索一起扳倒亚伯,在坦帕市自立门户逐渐崛起;第三部“所有暴力的孩子”讲述马索与乔翻脸,双方决战。
  据悉,西耶娜·米勒(Sienna Miller)在片中将扮演黑帮老大的情妇艾玛(Emma);佐伊·萨尔达娜(Zoe Saldana)则将饰演乔在坦帕自立门户时遇到的女子格瑞西耶拉·苏亚雷兹(Graciella Suarez);艾尔·范宁(Elle Fanning)饰演一名野心勃勃的女演员洛瑞塔·菲吉斯(Loretta Figgis),不幸惹上了麻烦。

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夜色人生
主演:本·阿弗莱克,艾丽·范宁,雷莫·吉罗内,布莱丹·格里森,罗伯特·格林尼斯特,马修·马希尔,克里斯·梅西纳,西耶娜·米勒,佐伊·索尔达娜,克里斯·库珀,提图斯·维里沃,马克斯·凯塞拉,克里斯蒂安·克莱门松,J·D·埃弗摩尔
盲目的丈夫们
49
5.0
HD中字
盲目的丈夫们
5.0
更新时间:2026年01月22日
主演:萨姆·德·格拉斯,Francelia Billington,埃里克·冯·施特罗海姆,Fay Holderness,Richard Cumming
简介:

  Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

4275
1919
盲目的丈夫们
主演:萨姆·德·格拉斯,Francelia Billington,埃里克·冯·施特罗海姆,Fay Holderness,Richard Cumming
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