致命的记忆
4.0 |2026年03月17日 |律政佳人陷家庭悬案
简介:

  萨顿·罗伯茨本是位美丽又能干的律政俏佳人,与从商的丈夫过着甜蜜又幸福的生活。然而,祸从天降,母亲被杀,患有失忆症的妹妹却手握凶器出现在案发现场。萨顿·罗伯茨本一边力证妹妹的清白,一边安排心理医生为妹妹进行治疗恢复记忆,在此过程中妹妹经常情绪失控、暴躁、不稳定,这更加使得警方认为母亲就是妹妹所杀。萨顿·罗伯茨本遭遇重重困难,甚至数入险境,在一次看电影的途中,萨顿·罗伯茨本和丈夫驾驶的妹妹的汽车刹车失灵,经过后期警察检测,刹车失灵为人为所致,直至丈夫中毒生命垂危,所有的证据都指向阿普里尔。

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狂野街头
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3.0
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狂野街头
3.0
更新时间:2026年01月22日
主演:谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯
简介:

  Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
  Author: TimothyFarrell from Worcester, MA
  "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
  The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
  -from imdb

1179
1968
狂野街头
主演:谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯
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