夜色中的地球第一季

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

 A stirring and powerful film about a young mother, recently released from prison and desperate to maintain custody of her two young children. Just when things appear to be at their darkest and most desperate for Molly (Posy Sterling), a chance encounter with an old school friend might be the start of a road towards a brighter future. Writer/Director Daisy-May Hudson brings wit, warmth and humanity to this beautiful story of individuals on the margins of society bonding in the face of unimaginable hardship.

　　《一场很（没）有必要的春晚》是一部关于春晚和海外华人思乡、过年情结的电影！影片记录了一群海外华人为了心中的信念而精心筹备了一场春晚，然而在工作过程中却困难重重，险象环生，发生了一系列令人啼笑皆非的故事。

　　北方某小山村，背包客卢晓辉骑车与一辆摩托车相撞，但所幸并无大碍。他被摩托车车主带回家中养伤，但车主的妻子对来客并不是那么欢迎。卢晓辉与女主人尴尬相处，毫无交流。但渐渐地，卢晓辉发现了女主人与丈夫之间婚姻的罅隙，他们的关系并不像看起来那么和谐。与此同时，女主人也在悄悄观察着从遥远城市跋涉而来的卢晓辉，她对他产生了莫名的好奇。终于，他们有了一次正面的交流，原来各自都有着不为外人道的精神困境。短暂的相处之后，卢晓辉再次踏上了旅程，而女主人重又恢复了平淡庸常的乡村生活。
　　《不合理蛙》入围（2016）第一届柏林华语电影节。

　　猫に囲まれながらお客様の相談に乗り、笑顔になってもらうという少し変わった場所があります――。
　　主人公・桜木さくら（久保ユリカ）は、秋葉原にある猫カフェ『MOCHA（モカ）』で働いている。そこには、様々な思いを抱えた人々が、猫たちに会いに訪れていた。
　　第一部。ひょんなことから、MOCHAに通うようになった地下アイドルの並木志保。クラスメイトにも、アイドル仲間にも馴染めず、悩んでいる志保に勇気をくれたのは、MOCHAの人気者ブリティッシュショートヘアの“ぶり”だった。
　　第二部。猫嫌いを直す為、MOCHAを訪れた小手川勇作。決して甘えを許さない不器用な男・勇作を変えたのは、勇作とは正反対の甘え上手なラグドール・こぐまだった。
　　第三部。家族の介護に追われる津田沙世。彼女の母・雪枝はアルツハイマー型認知症を発症し、記憶障害を起こしていた。バラバラになっていく母と娘。忘れていた思い出を運んできてくれたのは、かつて父が大切にしていた猫だった。
　　そして――第四部。さくらの意外な過去が明らかになる……。
　　誰もが抱える日常の寂しさ、すれ違い、孤独。猫たちが繋ぐ心優しい物語。

　　本片根据圣约翰·格林的畅销书《母爱清单》改编而成，讲述了一个真实感人的故事。辛吉和凯特与他们的两个儿子原本过着平静幸福的生活，但一个噩耗却让他们的生活发生了翻天覆地的变化——凯特被诊断出患有不治之症乳腺癌。在她生命即将走向终点的最后几个月，她为她的丈夫准备了一沓便条，上面写有她的感受、她对美好生活的记忆，以及她对丈夫今后独自照顾孩子的指导与期许。这使得其丈夫孩子在她逝世后依然能感受到她所给予他们的温馨。