一支小雨伞

十年前，编剧张文斌的妻子美琴因贪图享乐和赌博而抛夫弃子，张文斌与其离婚。十年后，已成影视新秀的儿子张子涵为父亲鸣不平，踏上了一条万分纠结的“寻找母爱”和“复仇”之路。善与恶何去何从，爱与恨情何以堪，因与果相辅相成，是与非谁来澄清。

　　加拿大5名刚参加完婚礼的年轻人驱车返回，在接近美国边境的路段，他们被一辆边境警察的车拦下了，他们命令车辆停下，例行公事检查了ID。这些边境警察看起来很可疑，提问也变得愈加严厉。其中一名年轻人的出身好像吸引了警察们的注意，甚至惹恼了他们。年轻人们都尽量克制着，毕竟五人什么都没做错，除了车灯坏了，除了“被”发现藏有大麻。
　　但紧接着，冲突升级了。其中一名女孩想上车拿药，却被警察阻止了，他们开始凶相毕露。年轻人们都被铐上手铐了。女孩开始反抗，很快就被当场侮辱性搜身。接着警察又怀疑随行的小狗身上携带毒品，就用刀给它开膛破肚。局势开始失去控制，警察开枪了，并将这群年轻人统统拘捕，带到林子深处的一个特殊的牢房里。那里安放着很多铁笼子。而噩梦才刚刚开始。

　　性格古怪不善言辞的大叔盖伊·垂尔比（杰森·贝特曼 Jason Bateman 饰）早已人到中年，而少年时辍学的阴影却让他一直耿耿于怀。美国教育界举办了一场只针对中小学生参赛的拼字比赛“National Spelling Bee”，所有参赛选手都是八年级以下的学生。偶然间，盖伊发现了这场全美拼字比赛规则中的巨大漏洞。他利用注册的盲区参加了这次全国青少年组的拼字比赛，凭借自己超人的单词记忆力入围总决赛。然而盖伊高龄的岁数却遭到外界质疑声连连，指责他破坏了比赛规则。比赛过程中，盖伊与一位天资异禀的印度男孩结下了深厚的友谊。然而随着比赛的进行，越来越多的人开始阻碍他的参赛，而盖伊参加此次比赛的真正目的也随之浮出水面。
　　本片是男主角杰森·贝特曼自编自导的荧幕处女作。

　　新加坡重案组警察李顺杰是一个兢兢业业的男人，他的家庭和美幸福，充满欢乐，母亲（郑佩佩 饰）、妻子小梅以及妹妹小琴都以他为荣。然而一起与黑帮有关的案件却将他带入万劫不复之中，阿顺和卧底接头被黑帮发觉，致使卧底当街被杀，自己和妻子也在家中惨遭毒手。警员遇害的新闻在社会上引起轩然大波，也给李太和小琴的心中留下难以愈合的伤痛。
　　在阿顺夫妇去世的第七天，也就是传统的回魂夜。小琴突然失踪，而当初杀害阿顺的黑帮分子接连被杀。原来阿顺的魂魄附到小琴的身上，对狂暴妄佞的展开无情的报复。因果报应，丝毫不爽。肃杀之夜，注定是血雨腥风……

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb