Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author: TimothyFarrell from Worcester, MA "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10) -from imdb
可爱的小刺猬、好奇的企鹅雏鸟、有趣的海豹幼崽，这部纪录片将把镜头对准这些新生动物生命中最重要、最具实验性的几个月吧，他们将经历考验、磨难最终获得胜利。镜头将告诉我们没人看的时候动物宝宝们在做什么，并找出到底是什驱动着他们快乐的（有时是奇怪的）行为。这是一部终极动物肥皂剧，在一个充满戏剧、爱和勇气的世界，在这里，小动物们迈出大胆的新步伐，第一次探索周围的世界。
Olivia Thirlby is the eye at the centre of a very sexy storm in this warm, hysterically funny dramedy. When her young filmmaker breezes into town, she comes riding a wave of effortless sexiness, which carries her through a net of passions-gone-wild as men queue up to fall at her feet. Though the film could’ve done with more depth, it wisely plays down the angst and is content to sit back as sparks fly between its central players – including Rosemarie DeWitt and John Krasinski.
很久以前，野生动物的王国艾力玛山腹地被一群亡命徒占据。到了20世纪初，以狼王乔勒为首的狼群向在人类发起攻击。无助的村民请来神枪手断魂张。断魂张利用乔勒的三只幼仔大败狼群。断魂张的女儿果果放了三只小狼。平安的一年过去了，正离开的断魂张父女遭到幸存的乔勒和已是壮狼的三只小狼的袭击，断魂张被咬死。果果为报仇找来猎手花面狼。心绪复杂的果果打死了不躲不闪的三只壮狼。花面狼也与乔勒同归于尽。果果不久后自尽。
