朱洪武

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

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　　这部影片主要讲述了一位从小由杀父仇人养育的有爱心的女生，在得知父亲失踪的消息后，为了寻找父亲，勇敢踏上“龙之岛”，在岛上跟龙太子（男一）靖海邂逅，二人由起初的互相抗拒发展为一对共患难的欢喜冤家，然而令窦忆楠万万没有想到的是自己竟会是“龙的新娘”，一场由她引起的故事由此开展。