亲情无价

简介：

　　廉政公署揭破有史以来最巨规模之黑金选举行贿贪污丑行案件，轰动整个东南亚，廉署再捷一功，新界某乡事执委员会主席何权，获悉特区政府准建设西铁发展计划事宜，确定沿线发展区域一带，大量拨地兴建丁屋，串谋某干乡事执委周甘铨、罗伟雄、梁召权、赵振明等人，进行非法行贿认定原居民，以厚利报酬而换取支持投票当选为主席，以便日后进身立法机关执法，好待以主席身份代表乡民向特区政府商议土地收购索偿。廉署高层干部接获此案，据案情涉及西铁发展计划，牵涉人仕甚广，随即成立项目小组调查此案，并设立代号为“西域黑金”行动。

简介：

　　东汉末年，曹操位居丞相，一人之下，万人之上，挟天子以令诸侯，平袁术、灭袁绍，东征西讨，意图统一天下。无奈事与愿违，赤壁之战曹军溃败。事隔多年，曹操受封魏王，刘备自立汉中王，孙权亦在东吴称王，三国鼎立，混战不休。

简介：　　A psychological thriller with aspects of the horror genre, focusing on the lives of the remaining Serbs in Kosovo nowadays and the real life stories that lie beneath the media coverage.

简介：魁北克住着一位，极有名望的教授，尼古拉．吉蒙，多年累积获得的各种荣誉、奖项、以及名誉已经多的放不下，其著作收到国际专家们的引用的次数最多，他有两个首席研究员的头衔，身处美国、加拿大和欧洲无数家学术团体中，他的名望远不止于科学界。为了表彰他的谦逊，在他死后，会有大学、科研机构甚至医院都以他命名。男人年事已高，记忆减退，弯腰驼背，浑身冒冷汗。身为医生，是无法对自己的身体状况撒谎的。如果有人问他，今天的日子有什么特别之处是，他会说，失眠，十一点准时入睡，两个小时之后再次醒来，如此反复。清晨，他在阳光中醒来，妻子跟他说着絮絮叨叨的事，让他渐渐心生厌烦，收拾好，他出了门，走在熟悉的街道上，看着街道上熟悉的景物，一切都是那么熟悉。他经过咖啡厅，走上台阶，来到大学。他热爱教学，在教室能放开自我，激情昂扬的给学生讲述他的知识。在课堂上，他讲完了课，走出来，思考着于他而言，他最喜欢的是科学。这一天，一个女人的忽然拜访，拿出了及其具有纪念意义的物件，让吉蒙教授想到了他年轻时的往事。他遇到了年轻教授吕丝，他还遇到了吕丝的女儿，一家人从此生活在了一起。一家人生活在一起总会有矛盾碰撞，女儿长到十五岁的时候，开始瞒着父母跟陌生人出去约会，妻子以为女儿外出跟陌生人待在一起是一件非常危险的事情，而吉蒙却认为，一个十五岁的女孩子在青春期能够跟父母保持交流是很难得的，这让他对女儿足够放心，夫妻二人的意见相左，就导致了生活矛盾的碰撞，夫妻二人在之后的生活里逐渐磨合，还有很长的路要走。

简介：

　　影片改编自全球现象级畅销小说《蝲蛄吟唱的地方》。
　　主角是一名叫做基娅（黛西·埃德加-琼斯 饰）的女孩，她遭到家人遗弃，在北卡罗来纳州中一片危险的沼泽地里独自生活并长大。多年来，基娅受到小镇居民的排挤和歧视，她被戏称为“沼泽女孩”。在情窦初开的年纪，两名小镇青年陆续闯入了基娅的世界，她敞开了自己的心扉。但爱情的伤害接踵而至，一件突如其来的谜案更让她陷入了失去自由的危险境地。

简介：

　　A small provincial town is buzzing with excitement: the town's most illustrious son, a world-famous opera singer, is coming home. Meanwhile, Sebastian, a kitchen boy who is as good as married, falls head over heels in love with the new maid, Maria. Their love affair, along with rumours that the opera singer and the kitchen boy are related, turns the town upside down, threatening to ruin everyone's high expectations and the opera singer's triumphant return.

简介：

　　Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

简介：　　英文：The Other Side Of Midnight
　　中文：午夜情挑
　　导演：Charles Jarrott
　　主演：苏珊·萨兰登
　　约翰·贝克
　　雷夫·瓦郎
　　类型：剧情/爱情
　　地区：美国
　　上映：1977年10月21日
　　西德尼·谢尔顿以塑造一系列的“自强不息、与社会作决死拼斗的女性”而著称，《午夜情挑》是他的第二部小说，1977年被改编成电影。故事里面的 Noelle Page，就是这么一个不惜一切代价和社会斗争的女性，只是，在抗争中她彻底的丢失了她的价值。她的生命的全部目的，是复仇，而复仇的背后，是渴望那个绝望时瞬间照亮过自己的太阳。可惜，命运并没有偏向于迷失了自己的Noelle。
　　Catherine是另一种悲剧。女孩子们总是热衷于花花公子，甘愿迷失和上当，有时候明知他说的这一套，和他与别的女人说的一样，而他今天说给你的，明天也一定会再说给别人，这样也不能拒绝，幻想自己是一个特例——他当然说你是唯一的你是不一样的。即便今天我们的周围，这样的例子也是在日日上演，甚至正在上演，面对这些悲剧和即将发生的悲剧，也只能哀其明明知道不幸，却又自以为是的不争。
　　片中有两个女性都很失败，男主角的结局也是罪有应得。主要人物里，有两个却在这个时代里获得成功。一个是Catherine的公关公司老板，他周旋于正要之间却有自己的原则，不受于各种诱惑；另一个是希腊大亨，他心胸狭窄，睚眦必报，最后整死了背叛他的人。在利用和被利用的社会关系里，西德尼希尔顿展现出强烈的社会达尔文气息。
　　本片由女星苏珊·萨兰登主演，在好莱坞众多女明星中，苏珊·萨兰登可以说是最独特的一个。她从影时间极长，却大器晚成。命运总是与她擦肩而过，她早已成为大众心目中的明星影后，但奥斯卡大奖却屡屡不垂青于她。在她年岁已高之时，反而终获殊荣。苏珊·萨兰登的身上始终散发着一种优雅温和而不造做，含蓄内敛却又非常坚毅的特质，那是做为一个女人所特有魅力所在，而苏珊把它发挥到了极致，在这个浮躁的世界中，我已无法用言语来形容我的赞赏……

简介：　　David and Hannah Cashman have promised their family a fun Christmas getaway, but when they arrive at a grand, old house in the snowy woods of Washington and are greeted by familiar construction foreman, the kids realize their parent’s plan to make it a working vacation; renovating the place in the hopes of flipping it. Alicia, the eldest, is annoyed but the younger kids are soon distracted when, wandering through the creepy mansion, they find a stash of old toys in an abandoned playroom and take to them instantly. Before long, they seem to be inseparable from their new playthings, much to the consternation of their nanny Rose who, along with Alicia, senses that something in the house is not quite right. As stranger and stranger things start to happen, Rose and Alicia have a hunch that there may be more to the history of the old house than the Cashman’s are letting on. Can the family escape with their lives – or will they stay forever in the crumbling house, never to celebrate another Christmas again?
　　Bringing the nostalgia of stop motion holiday specials - #ToysOfTerror stars #KyanaTeresa (“Shadowhunters,” “Star Trek: Discovery”) as Hannah Cashman, Georgia Waters (“Siren”) as Rose Mathis, Verity Marks (“The Christmas Club”) as Alicia Cashman, Dayo Ade (“Workin Moms,” “October Faction”) as David Cashman, Saul Elias as Franklin Cashman and Zoe Fish as Zoe Cashman. The film is written and executive produced by Dana Gould (“Stan Against Evil,” “The Simpsons”) and directed by Nicholas Verso (Boys in the Trees, “Nowhere Boys”). The movie is produced by Blue Ribbon Content in association with Warner Bros. Home Entertainment and SYFY.

简介：

　　广濑铃日前确定将主演改编自福井县立商业高中啦啦队部在全美大赛获得优胜的真实故事的电影《Cheer☆Dance 女高中生用啦啦队舞蹈征服全美的真是故事》，为成功出演电影中的啦啦队员，广濑铃已接受了近半年的特训。
　　广濑铃新片改编自2009年发生在福井商业高中的真实故事，描绘一群女高中生从零开始，最终在全美啦啦队舞蹈大赛高中表演部门获得综合冠军的剧情基本上依照真实故事的轨迹进行，广濑铃饰演的主人公个性天真烂漫，希望为足球部自己暗恋的男生应援而加入了啦啦队部，此后接受了顾问女老师意外的严厉特训，最终成为啦啦队center，与队伍中的小伙伴一起获得冠军。为成功出演啦啦队员，广濑铃从去年12月开始便进行啦啦队特训，训练时间最长的一天有6小时都花在练习中，虽然没有跳舞经验，但广濑铃运动神经出众，在福井商业高中啦啦队教练前田千代的帮助下，很快找到了要领。被请来做执导的2009年获胜成员也对广濑铃的表现赞不绝口。在拍摄最后剧组预定前往美国拍摄外景，与真正全美最强的队伍对决，为了展现特训成果，广濑铃表示希望自己看起来能够像真正接受过啦啦队训练的成员一样，在全力比赛的同时也不会忘记啦啦队舞蹈本身是件开心的事。
　　《Cheer☆Dance》目前已经确定将在2017年正式上映与观众见面，导演由河合勇人担任，制作人平野隆表示，广濑铃的笑容和跃动感最为符合角色，希望看了她在片中的表演观众都能够得到鼓舞。

简介：

　　退休军官老丁（洪金宝 饰）因“健忘症”弄丢孙女，内疚回到老家。邻居小女孩春花（陈沛妍 饰）成为他的慰藉。可女孩的父亲（刘德华 饰）无意卷入了当地黑帮团伙的争斗中。老丁为营救春花挺身而出，也寻回那份作为军人的骄傲和弥补作为爷爷的过错。

简介：劳伦斯是一名要求严苛的中年教授，虽然心地善良，但他拒人千里的气质使得学生对其厌烦，儿子和女儿也日渐对其冷淡。自从妻子去世后，独自抚养两个孩子的他就变得更加烦躁和无奈。一天，劳伦斯意外从栅栏上摔下来，被送进了医院，并得知负责他康复的女医生珍妮特原来是他曾经教过的学生，不过他已经记不清楚了。在频频约会后，劳伦斯发现自己似乎爱上了珍妮特，然而却深知自己仍在妻子逝世的阴影之下徘徊。面对眼前他不舍放弃的女子，似乎是爱情让这个老男人又开始尝试改变，尝试敞开心扉，尝试一个新的自己……