越轨追击

　　《憨憨公主的心思》原名Connasse, princesse des coeurs，又名憨直公主的心，是一部来自法国的喜剧电影。讲述了一个低社会阶层的女人决定嫁给一个富有又有权利的男人，如果成功，她将不用再努力的工作，并且拥有自己所梦想中的一切的故事。此外，这部憨憨公主的心思的剧本创意和后制作都很有意思，它使用了隐藏的相机去拍摄路人的反应。这部电影中除了女主角是在演戏外，其他人的反应和对话都是真实的，这也是本片最大的亮点。

　　Ernesto (Federico Russo) is a teenager who wanders, in search of himself, through the streets of Rome. Chapter after chapter, time passes and people just disappear but he continues to live impromptu relationships, causing pain to himself and to others. qigou.cc Taking refuge in his happy moments and in political ideologies, he believes he can save his soul from suffering although life will force him to grow and move forward.

　　敦厚老实的中介卢伟文（吴镇宇 饰）与家庭主妇妻子淑贤（袁咏仪 饰）、失业愤青儿子（吴肇轩 饰）、沉迷网恋的女儿（蔡颂思 饰）及生活不能自理的父亲（张达明 饰）一家五口过着每月要还房贷的节衣缩食生活。鸡毛蒜皮的邻里纠纷、还不完的买房贷款、上有老下有小的尴尬处境，都成了这个家随时爆发争吵的源泉，而他们唯一舒缓焦虑的就是那一扇窗外的海景。可万万没想到的是，突然有一天，一块飞来广告牌完完全全阻挡到了整家人的视线，他们再也没有办法去舒缓压力。而这块广告牌的主人王小财（古天乐饰）却不以为然。解决无期、焦虑升级，卢伟文一家的疯狂计划就此展开……

　　在北方某市，一个叫孙寒的女孩突然失踪，引起了警方的注意，市公安局将案子移交给刑侦总队年轻的探长金山负责，限期破案。接到任务，金山和助手韩侠开始了案情的调查取证工作。通过调查走访，金山了解到，孙寒的网名叫“百合花”，经常进入一个名叫“人生驿站”的聊天室聊天。直觉告诉金山，孙寒的突然失踪可能与网络有关。
　　金山相信自己的直觉，化名“啄木鸟”进入“人生驿站”聊天室。室主是一个名叫“晚秋”的人，在这个人气很旺的聊天室里，网友们不仅仅局限于在网上聊天，而且还定期会面。金山了解到政法报的记者方玲也是“人生驿站”的网友。在方玲的帮助下，金山参加了网友的聚会，很快就和大家混熟。通过见面，金山才知道网友里面也是各色人等，不一而足，既有广告公司的经理、在校大学生，还有寂寞深闺的怨妇。
　　据方玲介绍，“人生驿站”近几个月前相继有几位网友神秘失踪，失踪网友一个共同点就是，她们都是属蛇的漂亮姑娘。闻此消息，金山和韩侠把犯罪嫌疑人的圈子缩小，并最终锁定在网名叫“独行侠”的广告公司经理刘裕身上。因为方玲透露，刘裕曾单独见过前几位失踪的女网友。对刘裕的调查，发现刘裕只是通过网络骗取女色，并没有致人性命的嫌疑。至此，案情陷入了胶着状态。
　　就在金山忙于案情梳理时，金山因为无遐顾及家庭而被妻子亮起了红灯。然而就在金山内外交相煎迫时，案情有了新的进展，韩侠在“人生驿站”以属蛇的女性身份出现时，一个网名叫“稻草人”的网友约她见面。金山带人火速找到“稻草人”的住所，却发现“稻草人”身患残疾，但“稻草人”交待的情况让案情顿时开朗起来。
　　按照残疾人的交代，金山前往此时“稻草人”正约见网友的风景区。等金山和同事们及时赶到风景区从“稻草人”手上救下险些被推下悬崖的网友时，令在场的所有人都意想不到的是，被诱骗的女网友原来就是金山的妻子贾婷，制造连环杀人案的凶手竟然就是“人生驿站”的室主晚秋。原来，自从晚秋的丈夫和情人先后被女网友抢走后，晚秋牵怒于网络世界里所有属蛇的女性，犯下了一连串的杀人命案。至此，晚秋自知难逃法律制裁，跳崖身亡，给虚拟的网络世界平添了一份哀怨和反思。

　　一天欣欣来到一家古董店，连呼数声有人么，不见有人回应，偌大的古董店空无一人。由于好奇心的驱使欣欣不管三七二十一自娱欣赏起来，不断的被眼前的物品所震慑所陶醉，就在此时突然有一人出现，吓了欣欣一跳。此人行径古里古怪，不过欣欣也没有放在心上，欣欣与其交谈数据之后又继续欣赏起古董来，然而奇怪的事情就在此时悄然发生了……

　　这部时长90分 钟的电影以云南边防某部女上尉陆遥 将一个“落后连”打造成“标兵连”的故事 为主线，呈现了共和国女军官“巾帼不 让须眉”的风采和新形势下边防军人的 崭新风貌。

　　Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division of Poland under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. In the end a call to arms is called but turns out to be a hoax.

　　This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.
　　comments from imdb:
　　This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.
　　This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.
　　The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.
　　I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.
　　15 out of 10 and then some. 10/10
　　Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.
　　And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.
　　The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".
　　Intelligent, emotional, tragic and real, this is an absolute gem. 9/10