小镇谋杀案

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

　　57周前，居住在匹兹堡的急救人员艾尔维斯（斯科特·皮特 Scott Peat 饰）意外遭遇一个死而复生的尸体，地狱的大门似乎就此打开，恐怖的病毒迅速蔓延，所有被感染的人都变成没有任何生命体征却嗜血如命、狂暴凶残的丧尸，匹兹堡彻底沦为死城。艾尔维斯设法逃离去寻找此前离开自己的妻儿，在一无所获的情况下，他继续前行，途中遇见同样寻求避难的提特（玛丽莎·梅瑞尔 Marissa Merrill 饰）等人。然而这里终究不是长久的避难场所，他们必须想方设法从丧尸的包围中逃出，寻找新的栖息之地。
　　死神的身影从未远离，威胁不仅来自丧尸，还有来自早已对死亡司空见惯的人类……

 玉碎宫倾 (1981)故事梗概 蒙族干珠尔王的爱女塔娜公主，美丽善良，武艺超众。她化装成平狩猎时，巧遇能骑善猎的青年洪古儿，二人钦佩彼此高超的箭法，相互爱慕。塔娜公主在回宫途中突遇猛虎，在危急时刻，洪古儿赶到，救了塔娜，两人因此更加倾心相爱。临别时，塔娜把象征着自己名字的珍珠玉作为信物赠给了洪古儿。一心想娶塔娜为妻，借以篡夺王位的达鲁花赤桑格尔扎布，发现公主爱上了自己所属的奴隶洪古儿，借收赋税之机，欲杀死洪古儿。塔娜公主不顾暴露自己的身份，挺身而出，制止了桑格尔扎布。洪古儿知道塔娜是公主，忍着失恋的痛苦，悄悄离去。桑格尔扎布并未死心，他同朝中总管大臣托日罕互下勾结，向干珠尔屡进谗言，陷害塔娜公主。干珠尔王也想以女儿笼格尔扎布。塔娜不从父命，一心爱恋洪古儿。干珠尔王大怒，将她软禁，不准离宫。塔娜公主的不幸遭遇，引起疯姐姐哈斯公主的同情。哈斯向妹妹讲述了自己的病因：10年前，她私嫁官职微小的巴托布，可是父王为了要把她嫁给天朝皇帝，残酷地杀害了巴托尔和他们的孩子，她因此致疯被囚禁在宫苑之内，诵经念佛。塔娜听了姐姐的血泪控诉，悲痛不已。为了不重蹈覆辙，她更加坚决地同父王抗争。干珠尔王无奈，只得同意让洪古儿与桑格尔扎布比武招亲。洪古儿毅然前往王宫比武，决心用剑夺得爱情和幸福。桑格尔扎布败给洪古儿后，托日罕又进谗言，怂恿干珠尔惩处洪古儿。塔娜再三请求父王，最后以自杀迫使干珠尔王宣布赦免洪古儿。正当干珠尔王无计可施之际，托日罕却给他送来了桑格尔扎布的密谋，干珠尔王大喜，于是，以"打死猛虎即招为驸马"为名，命洪古儿去巴拉哈喇山，从而暗下毒手。哈斯公主偶然听到了这一密谋， 便急忙告诉妹妹，劝她去救洪古儿，并决心用自己的死来帮助妹妹获得自由和幸福。塔娜冲出王宫后，哈斯放火烧了寝宫，把这"活棺材"连同自己一起焚毁了。塔娜赶到巴拉哈喇山，四处寻找洪古儿。此时，洪古儿因刀箭都被托日罕派人暗中灌铅铸死，正在徒手与猛虎搏斗，塔娜赶来，射死猛虎，但躲在树丛中的托日罕向他暗施冷箭，洪古儿中箭身亡。塔娜眼见心爱的人被害，悲痛欲绝。这时，干珠尔王、桑格尔扎布赶来，劝塔娜回宫。塔娜彻底认清了以父王为首的封建势力的虚伪和丑恶，她亲自杀死了桑格尔扎布，然后自杀身亡。