不要仇恨

不要仇恨

HD独家中字

2.0 |2026年01月22日 |片长96 |HD独家中字
简介:
  犹太医生西蒙的父亲在大屠杀中遇难,他并未想到仇恨会给他决定一名纳粹生死的权力。本片原名借用了《圣经·旧约》十诫句式,是意大利导演毛罗·曼奇尼自编自导的长片处女作,耗时五年完成。在国家民族主义、种族仇恨情绪泛滥的背景下,导演借戏剧性的情节和充满张力的表演反思仇恨带来的伤痛,讲述了一则人类心灵寓言。该片荣获2020年威尼斯电影节最佳意大利电影奖。
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狂野街头
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3.0
HD中字
狂野街头
3.0
更新时间:2026年01月22日
主演:谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯
简介:

  Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
  Author: TimothyFarrell from Worcester, MA
  "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
  The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
  -from imdb

1179
1968
狂野街头
主演:谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯
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