大卫·斯佩德：对事不对人

　　The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

　　为出位，不惜以生死作赌注，谁知走上一条不归路。王文杰自幼在乡间长大，向往城市繁华绚烂的生活，于是不理父亲的劝告，决与女友翠儿和挚友伟忠离家到市区闯荡。文杰众人追随「九龙之虎」刘坤，但一直未被重用。为了搏出位，成功闯出名堂，文杰接受要以生死签来定的任务。一个错误的决定，亲友尽丧，文杰悔不当初，但已恨错难返，心中的怒火却缓缓燃起……

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　　“你爱我吗？”
　　纯伊偶尔会在邻居大嫂们面前唱唱歌，这是她唯一的打发时间方式。丈夫尚吉是婆婆的独子，在婆婆眼里，只看得见她的丈夫，她不堪婆婆的挑剔，每月都到军队探望丈夫。那天，从来都不会和颜悦色的丈夫酒醉后问她：“你爱我吗？”
　　战争拉响，她的故事开始……
　　纯伊对尚吉的问话没有吭声，接下来的一个月，纯伊又像往常一样去探望丈夫，却接到了尚吉已去参加战争的通报。纯伊决定去越南找不知去向的丈夫。听说能去越南，纯伊没有多想就跟着正万参加了慰问演出团，并改名为“sunny”，奔向硝烟滚滚的战场……

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