市政府市民科科长渡边勘治（志村乔饰）是名近三十年全勤的模范公务员，然而他和同事们每天忙碌却人浮于事，不知道自己在忙些什么。一帮妇女联合到市政府申请填平社区附近的臭水池，在上面建造个小公园。市民科的接待人员告诉她们要把问题反映到土木课，公园课把她们推到建设科……，申请书转 了一圈后，又被踢回市民科。
　　一个月后，渡边因身体不适，去医院被查出胃癌，时日无多。渡边回到家，感到孤独无助，儿子（金子信雄饰）只想着用老人的退休金及储蓄，到外面另辟小家庭。绝望中的渡边没有去上班，借酒浇愁。之后，请辞的女科员小田（小田切美善饰）给了渡边以启示。他打起精神，亲自督促建设社区公园。几个月后……

　　布洛克（杰森·斯坦森 Jason Statham 饰）的灰暗过往令他不得不携家带口过起了离群索居隐姓埋名的生活，和从前经历的大风大浪相比，如今和家人待在一起的平静日子显得尤为可贵。然而，现实却不愿轻易放过布洛克，一场意外的冲突让毒枭盖特（詹姆斯·弗兰科 James Franco 饰）在无意之中发现了布洛克的真实身份，布洛克好不容易构筑起的安稳即将毁于一旦。
　　盖瑞找来了前女友雪莉（薇诺娜·瑞德 Winona Ryder 饰），在小镇之中散布着搅乱人心的流言蜚语，一时间，矛头全部指向了布洛克一家人，此时唯一信任和支持布洛克的，只有布洛克的女儿和她的老师。与此同时，盖瑞此举亦将自己推上了一条不归路。

　　雷奥（克里斯多弗·兰伯特 Christopher Lambert 饰）曾经是一名出尽风头的拳击手，退役后来到加勒比海边的小城卡塔赫纳定居。然而告别了辉煌的职业生涯，他突然对生活茫然无措，只终日混迹酒吧颓废度日。直到有一天，他迫于生计应聘了一个护工工作，负责照看一个因车祸导致全身瘫痪的女人莫伊尔（苏菲·玛索 Sophie Marceau 饰）。曾经干练好胜的女强人莫伊尔，自从车祸无情地夺走她的行动能力后，似乎也夺走了她全部的生机，虽家赀巨万，她却再也无法感受到昨日春光，温柔海浪。仿佛被生活掏空的莫伊尔只能天天躺着消磨余下岁月，并对雷奥的照顾吹毛求疵。然而，两个灵魂在摩擦的同时似乎也在磨合，渐渐地，雷奥不仅没被莫伊尔的挑剔吓跑，反而重新找回了生活的魅力，而一天清晨，莫伊尔竟也从雷奥的鼾声中又一次触碰到了生命的意义……

　　一群胆大的雪上项目爱好者闯入一座偏远的塔斯马尼亚大山，但是一个灾难导致一名队员丧生。他们的到来诱发了这片土地上古老的土著诅咒，巨大的塔斯马尼亚恶魔向他们发动攻击。

　　本作是采访了80名日本电视台报道记者后根据真实内容改编的电视剧。以NTV报道局为舞台，报道奥姆真理教事件、秋叶原无差别杀人事件、女子大学生杀人放火事件以及时效废除、东日本大地震、疫情等象征各时代新闻的记者的困惑、犹豫、纠结。

　　故事发生在1942年的耶路撒冷，大卫（汤姆·汉克斯 Tom Hanks 饰）和好友皮特（本内迪克特·泰勒 Benedict Taylor 饰）加入了英国皇家空军，被派往那里驻守。在那儿，大卫邂逅了名为莎拉（克里斯蒂娜·马尔西利亚奇 Cristina Marsillach 饰）的女孩，几经波折之后，两人相爱了。
　　可是，莎拉出生在一个非常传统的犹太家庭之中，对于她的父母来说，和异族人通婚是大逆不道的事情。为了拆散萨拉和大卫，萨拉的家人囚禁了这个可怜的姑娘，不仅如此，他们还想方设法逼迫莎拉嫁给她的堂兄。眼看着无法逃脱悲惨的命运，萨拉决定见大卫最后一面，然后彻底放弃挣扎的希望。

　　十年前，DB跨国影业”英雄改良计划”秘密实施，初代机中唯一的究极体001号意外从基地中失忆逃脱，在十年后，扮演着一个拥有浮夸演技的影视偶像--中队。 老牌超级英雄纷纷被外来英雄取代，中队也不例外。遭遇人生惨败的中队心灰意冷，终日以酒度日。偶然，中队发现了自己体内强大的力量，背负起光复英雄的使命，跟随呼噜帮帮主呼噜爷爷训练，对抗新的超级战士。中队虽被打倒，但是意志不灭，各路英雄纷纷被中队感动，于是重出江湖，进行了一场中日英雄大战…..

　　20世纪80年代，三个怀有热情和梦想的年轻人在高等学府燕京大学的校园内相遇，从此展开了他们长达三十年的友谊和梦想征途。出生于留学世家的孟晓骏（邓超 饰）渴望站在美国的土地上改变世界，浪漫自由的王阳（佟大为 饰）尽情享受改革开放初期那蓬勃激昂的青春气息，曾两次高考落榜的农村青年成冬青（黄晓明 饰）以晓骏为目标努力求学，并收获了美好的爱情。然而三个好友最终只有晓骏获得美国签证，现实和梦想的巨大差距让冬青和王阳倍受打击。偶然机缘，被开除公职的冬青在王阳的帮助下办起了英语培训学校，开始品尝到成功的喜悦。在美国发展不顺的晓骏回国，并加入学校，无疑推动三个好友朝着梦想迈进了一大步。
　　只是随着成功的降临，他们的友情也开始承受严峻的考验……

　　为了应对越来越复杂的恐怖行动，日本警方成立了独立于特殊急袭部队（SIT）和特殊搜查班（SAT）之外的“第3个S”——警察厅特殊急袭搜查组（NPS）。NPS以逮捕嫌疑人为立足点，在平息暴乱的同时，最大限度保证嫌疑人的安全。由于这个奇怪的特性，因此NPS从成立之初就和SIT等兄弟部队多有龃龉。当然在历次行动过程中，热血警察神御藏一号（向井理 饰）和从SIT转来的头号狙击手苏我伊织（绫野刚 饰）培养出别样的友情。某日，东京发生巴士劫持事件，神御藏和伙伴们立刻出击，然而劫匪的行为举止甚为怪异。与此同时，一艘装载着足以炸毁日本的核燃料的货轮遭到劫持。空前的危机考验着NPS的各位……
　　本片根据小森阳一（原作）、藤堂裕（作画）的漫画改编，是同名日剧的电影版。

　　明治中期，九州赌徒帮派矢野组组长被人暗杀，其独女龙子（藤纯子 饰）解散帮会，以父亲尸体旁遗落的钱包为线索四处寻找凶手。龙子怀揣小太刀，五年间走遍全国各地的赌场，因出色的赌技而赢得“红牡丹阿龙”的绰号。
　　在岩国某赌场，龙子拆穿庄家作弊手段，引起纠纷，幸得流浪赌徒片桐（高仓健 饰）出手相助。与片桐分手后，龙子得知曾见过杀手容貌的阿新的下落，遂启程寻找，并在道后与熊虎组组长虎吉（若山富三郎 饰）结为兄妹。经熊虎推荐，龙子和阿新前往拜会大阪千成一家第二代首领加仓井（大木实 饰），却偶然在此得知真相……

　　美国小镇上，四岁女童阿曼达突然失踪，她的姨妈和姨夫找到私家侦探Patrick Kenzie（Casey Affleck 饰），委托他调查外甥女失踪的事情。
　　Patrick Kenzie和女朋友兼工作搭档Angela（Michelle Monaghan 饰）开始了艰难的调查。随着调查的深入，他们发现阿曼达的母亲Helene是一个地道的瘾君子，她对毒品的关心程度似乎远胜于女儿的失踪，调查围绕她展开之后，毒品贩子、诈骗犯、虐待儿童的人渐渐浮出水面，Detective Remy Broussard（Ed Harris　饰）以及警官Jack Doyle（Morgan Freeman　饰）也加入了案情的调查，但是阿曼达的名字却越来越遥不可及，Patrick Kenzie也站在了道德的十字路口，开始思考怎样才算是“伸张正义”。

　　一名悬疑小说作家，刚被妻子抛弃，他想藉由法庭的审案过程获取灵感创作一部小说，不料却阴差阳错地认识了正以谋杀罪被起诉的保利纳，并迅速陷入了她的感情陷阱之中，自愿提供她不在谋杀现场的伪证，还邀她回家里居住，以便针对她进行新书的创作。在保利纳美丽的外表下，到底是不是一个包藏祸心的蛇蝎美人呢？

　　Former youth boxing champion Jimmy McCabe, after hitting rock bottom, returns to his childhood boxing club and his old team, gym owner Bill and corner-man Eddie.

　　刚服完兵役的莫东（韩石圭 饰）坐火车回家的路上认识了美爱（沈惠珍 饰）。不知为何，莫东感觉自己以后的生活都会跟美爱有牵连。回家后的莫东正找工作，他再次遇到了美爱，美爱是在夜总会唱歌的，更是黑帮老大（文成根 饰）的女友。莫东也因为美爱的关系加入了黑社会。
　　忠心耿耿的莫东对美爱却有一丝丝的好感，而美爱冷酷的外表后面是一颗炽热的心。没想到，他们的组织面临解散，莫东打算付出自己的所有以及心爱的女人，他却得不到应有的回报……

　　公元前11世纪，古埃及面临多重困难，外部有亚述人的战争威胁，又欠下腓尼基商人的大笔债款，国家濒临破产，人民穷困潦倒。拉美西斯十二世病重去世，他的儿子拉美西斯十三世被宣布为法老继承人。为了阻止埃及的迅速衰落，年轻的拉美西斯十三世决定夺取世世代代存放在神庙中的宝藏，将其用于社会改革和对亚述发动战争。但神职人员反对他的计划，祭司和年轻的法老之间开始了政治和宗教斗争。

　　制药公司小职员医学博士出身的宰赫（金明民 饰）早些年被弟弟宰弼（金烔完 饰）劝诱炒股，结果赔得精光，如今委身于一家毫无前景的制药公司做推销员，在外低声下气，看客户脸色行事，心中的郁结只有向家中妻儿宣泄。与此同时，汉江流域附近接连发现数十具尸体，死者全身皆如干尸，死状恐怖。这一事件波及甚广，连宰赫身边的人也无法幸免。经调查发现，死者体内无一例外寄居着本应存在于昆虫身上的铁线虫，铁线虫会刺激宿主食欲大增以吸收养分，等到繁殖期时令宿主神志不清，投水自杀，再进入水中大量繁殖。面对这一新型变种，人类束手无策，无计可施，死亡人数呈几何数增加，韩国上下乱作一团，有如末日。
　　原本为生计奔忙已焦头烂额的宰赫，该如何保护家人幸免于难……

　　电影分为四个短片，每一个短片里都有一名叫做振久（李善均 饰）的年轻男子，一名叫做玉熙（郑有美 饰）的女子和一名叫做宋教授（文成根 饰）的中年男子。
　　振久是在大学里教授电影课程，同时，他也是一位名不见经传的小导演。振久的婚姻生活并不幸福，以至于他宁可在街边吹冷风，也不愿回家面对凶神恶煞的妻子，一次观众交流会中，一名女子提出了一个他无法回答的问题；振久在电影学院里学习电影，但是对于振久来说，他的全部生活并不是电影，却是一个叫做玉熙的女孩。在对玉熙进行了长时间的死缠烂打后，他终于得偿所愿的和玉熙开始了交往，但他并不知道的是，玉熙的心并不在他的身上；迫于生计，导演宋教授不得不在学校兼职任教，然而，没有学生愿意来上他的课，除了一个叫做玉熙的女孩和一个叫做振久的男孩；玉熙拍摄了一个短片，记录了她与振久和宋教授于不同的时间游览同一个地方的所作所为。

　　因犯規被罰出場的守門員布洛赫，在維也納街頭漫無目的地閒逛。他遇到了戲院售票員葛蘿莉亞，並跟蹤她到飛機場附近的荒涼公寓，卻莫名其妙殺了人。布洛赫逃到鄉間繼續漫遊，不時看報紙關注案情進展…

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. 

　　在下关半岛的大间渔港，渔民小滨房次郎（绪形拳 饰）独自将女儿养大，女儿鹭子（夏目雅子 饰）与咖啡店工作的青年俊一（佐藤浩市 饰）相爱。俊一为博得房次郎的欢心，决定随其学习打鱼。经过几天等待，二人终于遭遇金枪鱼群。房次郎只顾专心捕鱼，俊一则不慎被鱼线缠头，险些丧命。出院后的俊一夫妇搬回城里居住，房次郎终于孤身一人。
　　一年后，俊一和鹭子回到渔村。某晚俊一出海未归，无线电中断。房次郎出海寻找，发现俊一正跟一条大鱼搏斗，筋疲力尽，奄奄一息……
　　影片改编自吉村昭同名获奖小说，日本电影旬报评选八十年代百佳电影第33名。

　　本片根据美国前情报人员杰拉德·佩特维奇的一本小说《洛杉矶的生与死》改编而成。剧情描述洛城警探威廉•彼得森誓言不惜一切要替惨死的拍档报仇，后来找出杀人凶手是印制伪钞的油画家威廉•达佛，乃跟他展开一场暴力感十足的猫捉老鼠大追逐。

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

　　In the wake of the end of the world, a family of four desperately tries to survive. Their goal: escaping the city and traveling to the rural community they once called home.
　　The constant threat of a violent death forcing them to stay as far away from civilization as possible, they take to the forest, soon to discover the danger posed by other survivors may be the least of their worries.
　　Will they survive? A dark and unpredictable horror/thriller.

　　任大望（黄渤 饰）一心想把喜好天文的儿子任小天（荣梓杉 饰）培养成钢琴演奏家，为此父子争吵不断。一天，神秘外星人莫扎特意外出现，从此，莫扎特帮助任小天开启了和爸爸“斗智斗勇”的生活。令任小天没有想到的是，莫扎特来到地球竟另有任务……